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Exodus 26

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1 και-C ο- A--ASF σκηνη-N1--ASF ποιεω-VF--FAI2S δεκα-M αυλαια-N1A-APF εκ-P βυσσος-N2--GSF κλωθω-VT--XMPGSF και-C υακινθος-N2--GSF και-C πορφυρα-N1A-GSF και-C κοκκινος-A1--GSN κλωθω-VT--XMPGSN χερουβιμ-N---APM εργασια-N1A-DSF υφαντης-N1M-GSM ποιεω-VF--FAI2S αυτος- D--APF

2 μηκος-N3E-NSN ο- A--GSF αυλαια-N1A-GSF ο- A--GSF εις-A1A-GSF οκτω-M και-C εικοσι-M πηχυς-N3E-GPM και-C ευρος-N2--NSN τεσσαρες-A3--GPM πηχυς-N3E-GPM ο- A--NSF αυλαια-N1A-NSF ο- A--NSF εις-A1A-NSF ειμι-VF--FMI3S μετρον-N2N-NSN ο- A--NSN αυτος- D--NSN ειμι-VF--FMI3S πας-A1S-DPF ο- A--DPF αυλαια-N1A-DPF

3 πεντε-M δε-X αυλαια-N1A-NPF ειμι-VF--FMI3P εκ-P αλληλω- D--GPM εχω-V1--PMPNPF ο- A--NSF ετερος-A1A-NSF εκ-P ο- A--GSF ετερος-A1A-GSF και-C πεντε-M αυλαια-N1A-NPF ειμι-VF--FMI3P συνεχω-V1--PMPNPF ετερος-A1A-NSF ο- A--DSF ετερος-A1A-DSF

4 και-C ποιεω-VF--FAI2S αυτος- D--DPF αγκυλη-N1--APF υακινθινος-A1--APF επι-P ο- A--GSN χειλος-N3E-GSN ο- A--GSF αυλαια-N1A-GSF ο- A--GSF εις-A1A-GSF εκ-P ο- A--GSN εις-A3--GSN μερος-N3E-GSN εις-P ο- A--ASF συμβολη-N1--ASF και-C ουτως-D ποιεω-VF--FAI2S επι-P ο- A--GSN χειλος-N3E-GSN ο- A--GSF αυλαια-N1A-GSF ο- A--GSF εξωτερος-A1A-GSF προς-P ο- A--DSF συμβολη-N1--DSF ο- A--DSF δευτερος-A1A-DSF

5 πεντηκοντα-M αγκυλη-N1--APF ποιεω-VF--FAI2S ο- A--DSF αυλαια-N1A-DSF ο- A--DSF εις-A1A-DSF και-C πεντηκοντα-M αγκυλη-N1--APF ποιεω-VF--FAI2S εκ-P ο- A--GSN μερος-N3E-GSN ο- A--GSF αυλαια-N1A-GSF κατα-P ο- A--ASF συμβολη-N1--ASF ο- A--GSF δευτερος-A1A-GSF αντιπροσωπος-A1B-NPF αντιπιπτω-V1--PAPNPF αλληλω- D--DPF εις-P εκαστος-A1--ASF

6 και-C ποιεω-VF--FAI2S κρικος-N2--APM πεντηκοντα-M χρυσους-A1C-APM και-C συναπτω-VF--FAI2S ο- A--APF αυλαια-N1A-APF ετερος-A1A-ASF ο- A--DSF ετερος-A1A-DSF ο- A--DPM κρικος-N2--DPM και-C ειμι-VF--FMI3S ο- A--NSF σκηνη-N1--NSF εις-A1A-NSF

7 και-C ποιεω-VF--FAI2S δερρις-N3I-APF τριχινας-A1--APF σκεπη-N1--ASF επι-P ο- A--GSF σκηνη-N1--GSF ενδεκα-M δερρις-N3I-APF ποιεω-VF--FAI2S αυτος- D--APF

8 ο- A--NSN μηκος-N3E-NSN ο- A--GSF δερρις-N3I-GSF ο- A--GSF εις-A1A-GSF ειμι-VF--FMI3S τριακοντα-M πηχυς-N3E-GPM και-C τεσσαρες-A3--GPM πηχυς-N3E-GPM ο- A--NSN ευρος-N2--NSN ο- A--GSF δερρις-N3I-GSF ο- A--GSF εις-A1A-GSF μετρον-N2N-NSN ο- A--NSN αυτος- D--NSN ειμι-VF--FMI3S ο- A--DPF ενδεκα-M δερρις-N3I-DPF

9 και-C συναπτω-VF--FAI2S ο- A--APF πεντε-M δερρις-N3I-APF επι-P ο- A--ASN αυτος- D--ASN και-C ο- A--APF εξ-M δερρις-N3I-APF επι-P ο- A--ASN αυτος- D--ASN και-C επιδιπλοω-VF--FAI2S ο- A--ASF δερρις-N3I-ASF ο- A--ASF εκτος-A1--ASF κατα-P προσωπον-N2N-ASN ο- A--GSF σκηνη-N1--GSF

10 και-C ποιεω-VF--FAI2S αγκυλη-N1--APF πεντηκοντα-M επι-P ο- A--GSN χειλος-N3E-GSN ο- A--GSF δερρις-N3I-GSF ο- A--GSF εις-A1A-GSF ο- A--GSF ανα-P μεσος-A1--ASN κατα-P συμβολη-N1--ASF και-C πεντηκοντα-M αγκυλη-N1--APF ποιεω-VF--FAI2S επι-P ο- A--GSN χειλος-N3E-GSN ο- A--GSF δερρις-N3I-GSF ο- A--GSF συναπτω-V1--PAPGSF ο- A--GSF δευτερος-A1A-GSF

11 και-C ποιεω-VF--FAI2S κρικος-N2--APM χαλκους-A1C-APM πεντηκοντα-M και-C συναπτω-VF--FAI2S ο- A--APM κρικος-N2--APM εκ-P ο- A--GPF αγκυλη-N1--GPF και-C συναπτω-VF--FAI2S ο- A--APF δερρις-N3I-APF και-C ειμι-VF--FMI3S εις-A3--NSN

12 και-C υποτιθημι-VF--FAI2S ο- A--ASN πλεοναζω-V1--PAPASN εν-P ο- A--DPF δερρις-N3I-DPF ο- A--GSF σκηνη-N1--GSF ο- A--ASN ημισυς-A3U-ASN ο- A--GSF δερρις-N3I-GSF ο- A--ASN υπολειπω-VP--XMPASN υποκαλυπτω-VF--FAI2S ο- A--ASN πλεοναζω-V1--PAPASN ο- A--GPF δερρις-N3I-GPF ο- A--GSF σκηνη-N1--GSF υποκαλυπτω-VF--FAI2S οπισω-P ο- A--GSF σκηνη-N1--GSF

13 πηχυς-N3E-ASM εκ-P ουτος- D--GSN και-C πηχυς-N3E-ASM εκ-P ουτος- D--GSN εκ-P ο- A--GSN υπερεχω-V1--PAPGSN ο- A--GPF δερρις-N3I-GPF εκ-P ο- A--GSN μηκος-N3E-GSN ο- A--GPF δερρις-N3I-GPF ο- A--GSF σκηνη-N1--GSF ειμι-VF--FMI3S συνκαλυπτω-V1--PAPNSN επι-P ο- A--APN πλαγιος-A1A-APN ο- A--GSF σκηνη-N1--GSF ενθεν-D και-C ενθεν-D ινα-C καλυπτω-V1--PAS3S

14 και-C ποιεω-VF--FAI2S κατακαλυμμα-N3M-ASN ο- A--DSF σκηνη-N1--DSF δερμα-N3M-APN κριος-N2--GPM ερυθροδανοω-VM--XPPAPN και-C επικαλυμμα-N3M-APN δερμα-N3M-APN υακινθινος-A1--APN επανωθεν-D

15 και-C ποιεω-VF--FAI2S στυλος-N2--APM ο- A--DSF σκηνη-N1--DSF εκ-P ξυλον-N2N-GPN ασηπτος-A1B-GPN

16 δεκα-M πηχυς-N3E-GPM ποιεω-VF--FAI2S ο- A--ASM στυλος-N2--ASM ο- A--ASM εις-A3--ASM και-C πηχυς-N3E-GSM εις-A3--GSM και-C ημισυς-A3U-GSM ο- A--ASN πλατος-N3E-ASN ο- A--GSM στυλος-N2--GSM ο- A--GSM εις-A3--GSM

17 δυο-M αγκωνισκος-N2--APM ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM αντιπιπτω-V1--PAPAPM ετερος-A1A-ASM ο- A--DSM ετερος-A1A-DSM ουτως-D ποιεω-VF--FAI2S πας-A3--DPM ο- A--DPM στυλος-N2--DPM ο- A--GSF σκηνη-N1--GSF

18 και-C ποιεω-VF--FAI2S στυλος-N2--APM ο- A--DSF σκηνη-N1--DSF εικοσι-M στυλος-N2--APM εκ-P ο- A--GSN κλιτος-N3E-GSN ο- A--GSN προς-P βορεας-N1T-ASM

19 και-C τεσσαρακοντα-M βασις-N3I-APF αργυρους-A1C-APF ποιεω-VF--FAI2S ο- A--DPM εικοσι-M στυλος-N2--DPM δυο-M βασις-N3I-NPF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM εις-P αμφοτεροι-A1A-APN ο- A--APN μερος-N3E-APN αυτος- D--GSM και-C δυο-M βασις-N3I-NPF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM εις-P αμφοτεροι-A1A-APN ο- A--APN μερος-N3E-APN αυτος- D--GSM

20 και-C ο- A--ASN κλιτος-N3E-ASN ο- A--ASN δευτερος-A1A-ASN ο- A--ASN προς-P νοτος-N2--ASM εικοσι-M στυλος-N2--APM

21 και-C τεσσαρακοντα-M βασις-N3I-APF αυτος- D--GPM αργυρους-A1C-APF δυο-M βασις-N3I-APF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM εις-P αμφοτεροι-A1A-APN ο- A--APN μερος-N3E-APN αυτος- D--GSM και-C δυο-M βασις-N3I-APF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM εις-P αμφοτεροι-A1A-APN ο- A--APN μερος-N3E-APN αυτος- D--GSM

22 και-C εκ-P ο- A--GPM οπισω-P ο- A--GSF σκηνη-N1--GSF κατα-P ο- A--ASN μερος-N3E-ASN ο- A--ASN προς-P θαλασσα-N1S-ASF ποιεω-VF--FAI2S εξ-M στυλος-N2--APM

23 και-C δυο-M στυλος-N2--APM ποιεω-VF--FAI2S επι-P ο- A--GPF γωνια-N1A-GPF ο- A--GSF σκηνη-N1--GSF εκ-P ο- A--GPN οπισθιος-A1A-GPN

24 και-C ειμι-VF--FMI3S εκ-P ισος-A1--GSN κατωθεν-D κατα-P ο- A--ASN αυτος- D--ASN ειμι-VF--FMI3P ισος-A1--NPM εκ-P ο- A--GPF κεφαλις-N3D-GPF εις-P συμβλησις-N3--ASF εις-A1A-ASF ουτως-D ποιεω-VF--FAI2S αμφοτεροι-A1A-DPF ο- A--DPF δυο-M---DPF γωνια-N1A-DPF ειμι-V9--PAD3P

25 και-C ειμι-VF--FMI3P οκτω-M στυλος-N2--NPM και-C ο- A--NPF βασις-N3I-NPF αυτος- D--GPM αργυρους-A1C-NPF δεκα-M εξ-M δυο-M βασις-N3I-NPF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM εις-P αμφοτεροι-A1A-APN ο- A--APN μερος-N3E-APN αυτος- D--GSM και-C δυο-M βασις-N3I-NPF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM

26 και-C ποιεω-VF--FAI2S μοχλος-N2--APM εκ-P ξυλον-N2N-GPN ασηπτος-A1B-GPN πεντε-M ο- A--DSM εις-A3--DSM στυλος-N2--DSM εκ-P ο- A--GSN εις-A3--GSN μερος-N3E-GSN ο- A--GSF σκηνη-N1--GSF

27 και-C πεντε-M μοχλος-N2--APM ο- A--DSM στυλος-N2--DSM ο- A--DSN κλιτος-N3E-DSN ο- A--GSF σκηνη-N1--GSF ο- A--DSN δευτερος-A1A-DSN και-C πεντε-M μοχλος-N2--APM ο- A--DSM στυλος-N2--DSM ο- A--DSM οπισθιος-A1A-DSM ο- A--DSN κλιτος-N3E-DSN ο- A--GSF σκηνη-N1--GSF ο- A--DSN προς-P θαλασσα-N1S-ASF

28 και-C ο- A--NSM μοχλος-N2--NSM ο- A--NSM μεσος-A1--NSM ανα-P μεσος-A1--ASN ο- A--GPM στυλος-N2--GPM διαικνεομαι-V2--PMD3S απο-P ο- A--GSN εις-A3--GSN κλιτος-N3E-GSN εις-P ο- A--ASN ετερος-A1A-ASN κλιτος-N3E-ASN

29 και-C ο- A--APM στυλος-N2--APM καταχρυσοω-VF--FAI2S χρυσιον-N2N-DSN και-C ο- A--APM δακτυλιος-N2--APM ποιεω-VF--FAI2S χρυσους-A1C-APM εις-P ος- --APM ειςαγω-VF--FAI2S ο- A--APM μοχλος-N2--APM και-C καταχρυσοω-VF--FAI2S ο- A--APM μοχλος-N2--APM χρυσιον-N2N-DSN

30 και-C αναιστημι-VF--FAI2S ο- A--ASF σκηνη-N1--ASF κατα-P ο- A--ASN ειδος-N3E-ASN ο- A--ASN δεικνυω-VK--XMPASN συ- P--DS εν-P ο- A--DSN ορος-N3E-DSN

31 και-C ποιεω-VF--FAI2S καταπετασμα-N3M-ASN εκ-P υακινθος-N2--GSF και-C πορφυρα-N1A-GSF και-C κοκκινος-A1--GSN κλωθω-VT--XMPGSN και-C βυσσος-N2--GSF νηθω-VT--XMPGSF εργον-N2N-ASN υφαντος-A1--ASN ποιεω-VF--FAI2S αυτος- D--ASN χερουβιμ-N---APM

32 και-C επιτιθημι-VF--FAI2S αυτος- D--ASN επι-P τεσσαρες-A3--GPM στυλος-N2--GPM ασηπτος-A1B-GPM χρυσοω-VM--XPPGPM χρυσιον-N2N-DSN και-C ο- A--NPF κεφαλις-N3D-NPF αυτος- D--GPM χρυσους-A1C-NPF και-C ο- A--NPF βασις-N3I-NPF αυτος- D--GPM τεσσαρες-A3--NPF αργυρους-A1C-NPF

33 και-C τιθημι-VF--FAI2S ο- A--ASN καταπετασμα-N3M-ASN επι-P ο- A--APM στυλος-N2--APM και-C ειςφερω-VF--FAI2S εκει-D εσωτερον-P ο- A--GSN καταπετασμα-N3M-GSN ο- A--ASF κιβωτος-N2--ASF ο- A--GSN μαρτυριον-N2N-GSN και-C διαοριζω-VF2-FAI3S ο- A--ASN καταπετασμα-N3M-ASN συ- P--DP ανα-P μεσος-A1--ASN ο- A--GSM αγιος-A1A-GSM και-C ανα-P μεσος-A1--ASN ο- A--GSM αγιος-A1A-GSM ο- A--GPM αγιος-A1A-GPM

34 και-C κατακαλυπτω-VF--FAI2S ο- A--DSN καταπετασμα-N3M-DSN ο- A--ASF κιβωτος-N2--ASF ο- A--GSN μαρτυριον-N2N-GSN εν-P ο- A--DSM αγιος-A1A-DSM ο- A--GPM αγιος-A1A-GPM

35 και-C τιθημι-VF--FAI2S ο- A--ASF τραπεζα-N1S-ASF εξωθεν-D ο- A--GSN καταπετασμα-N3M-GSN και-C ο- A--ASF λυχνια-N1A-ASF απεναντι-P ο- A--GSF τραπεζα-N1S-GSF επι-P μερος-N3E-GSN ο- A--GSF σκηνη-N1--GSF ο- A--ASN προς-P νοτος-N2--ASM και-C ο- A--ASF τραπεζα-N1S-ASF τιθημι-VF--FAI2S επι-P μερος-N3E-GSN ο- A--GSF σκηνη-N1--GSF ο- A--ASN προς-P βορεας-N1T-ASM

36 και-C ποιεω-VF--FAI2S επισπαστρον-N2N-ASN εκ-P υακινθος-N2--GSF και-C πορφυρα-N1A-GSF και-C κοκκινος-A1--GSN κλωθω-VT--XMPGSN και-C βυσσος-N2--GSF κλωθω-VT--XMPGSF εργον-N2N-ASN ποικιλτης-N1M-GSM

37 και-C ποιεω-VF--FAI2S ο- A--DSN καταπετασμα-N3M-DSN πεντε-M στυλος-N2--APM και-C χρυσοω-VF--FAI2S αυτος- D--APM χρυσιον-N2N-DSN και-C ο- A--NPF κεφαλις-N3D-NPF αυτος- D--GPM χρυσους-A1C-NPF και-C χωνευω-VF--FAI2S αυτος- D--DPM πεντε-M βασις-N3I-APF χαλκους-A1C-APF

   

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Arcana Coelestia # 5319

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5319. And clothed him in garments of fine linen. That this signifies an external significative of the celestial of the spiritual, and that “garments of fine linen” denote truths from the Divine, is manifest from the signification of “garments” as being truths (see n. 1073, 2576, 4545, 4763, 5248). That “garments of fine linen” are truths from the Divine, is because a garment made of fine linen was of purest white and lustrous; and truth from the Divine is represented by garments of such whiteness and luster. The reason is, that the shining whiteness and luster of heaven is from the light that is from the Lord, and this light is the Divine truth itself (n. 1053, 1521-1533, 1619-1632, 2776, 3195, 3222, 3339, 3485, 3636, 3643, 3862, 4415, 4419, 4526, 5219); and therefore when the Lord was transfigured before Peter, James, and John, His garments appeared “as the light” (Matthew 17:2); “shining, exceeding white as snow, so as no fuller on earth can whiten them” (Mark 9:3); and “glistening” (Luke 9:29). It was the Divine truth itself that is from the Lord’s Divine Human that was thus represented. Yet it is exterior truths that are represented by the white radiance of garments in the heavens, and interior truths by the brightness and resplendence of the face. Hence it is that to be “clothed in garments of fine linen” is here an external significative of the truth proceeding from the celestial of the spiritual; for it was in this that the Divine of the Lord then was.

[2] By “fine linen” and “garments of fine linen” in other parts of the Word also is signified truth from the Divine, as in Ezekiel:

I clothed thee with broidered work, and shod thee with badger, and I girded thee with fine linen, and covered thee with silk; thus wast thou decked with gold and silver, and thy garments were of fine linen and silk and broidered work (Ezekiel 16:10, 13);

speaking of Jerusalem, by which in these verses is meant the Ancient Church. The truths of that church are described by “garments of broidered work, fine linen, and silk,” and by being “decked with gold and silver.” By “broidered work” are signified truths that are a matter of memory-knowledge; by “fine linen,” natural truths; and by “silk,” spiritual truths.

[3] Again:

Of fine linen in broidered work from Egypt was thy sail, that it might be to thee for an ensign; blue and crimson from the Isles of Elishah was thy covering (Ezekiel 27:7);

speaking of Tyre, by which also is meant the Ancient Church, but as to knowledges of good and truth; and by “fine linen in broidered work from Egypt of which was her sail,” is signified truth from memory-knowledges, as a sign or external significative of that church.

[4] In Revelation:

The merchants of the earth shall weep and mourn over Babylon, for no man buyeth their merchandise any more; merchandise of gold, and silver, and precious stone, and pearl, and fine linen, and crimson, and silk, and every vessel of ivory, and every vessel of most precious wood, and of brass, and iron, and marble (Revelation 18:11-12);

in this passage all and each of the expressions signify such things as are of the church, thus such as are of truth and good; but here in the opposite sense, because spoken of Babylon. Everyone can see that such things would never have been enumerated in the Word which came down from heaven, unless there was something heavenly in each one; for why should mention be made of worldly wares in treating of Babylon, by which is signified the profane church?

[5] Again in the same:

Woe, woe, the great city, she that was clothed in fine linen, and crimson, and scarlet, and gilded with gold, and precious stone, and pearls (Revelation 18:16).

That every detail here signifies some heavenly Divine thing is obvious in the same book, where it is said of fine linen that it is the “righteousness of the saints”:

The time of the wedding of the Lamb is come, and His wife hath made herself ready. Then to her was granted that she should be clothed in fine linen, clean and bright; for the fine linen is the righteousness of the saints (Revelation 19:7-8

that “fine linen is the righteousness of the saints” is because all who are in truth from the Divine put on the Lord’s righteousness; for their garments are white and shining from the light that is from the Lord, and therefore truth itself is represented in heaven by what is shining white (n. 3301, 3993, 4007). It is for this reason also that they who are taken up into heaven out of a state of vastation appear clad in shining white, because they then put off that which is of their own righteousness, and put on that which is of the Lord’s righteousness.

[6] In order that truth from the Divine might be represented in the Jewish Church, it was commanded that there should be fine linen in the garments of Aaron, and also in the curtains about the ark, as we read in Moses:

For Aaron thou shalt weave the tunic in checker work of fine linen, and thou shalt make a miter of fine linen (Exodus 28:39).

They made the tunics of fine linen the work of the weaver for Aaron, and for his sons (Exodus 39:27).

Thou shalt make the habitation with ten curtains; of fine twined linen, and blue, and crimson, and scarlet double-dyed (Exodus 26:1; 36:8).

Thou shalt make the court of the habitation, there shall be hangings for the court of fine twined linen (Exodus 27:9, 18; 38:9).

The veil for the gate of the court was the work of the embroiderer, of blue, and crimson, and scarlet double-dyed, and fine twined linen (Exodus 37:18).

Fine linen was to be used because all things in the ark and about it, and also all things upon Aaron’s garments, were representative of spiritual and celestial things. This shows how little the Word is understood when it is not known what things like these represent, and that it is scarcely understood at all when it is believed that there is no other holiness in the Word than that which appears in the letter.

[7] That angels who are in truth from the Divine appear clothed as in fine linen, that is, in what is white and shining, appears from Revelation in connection with the “white horse”:

He that sat upon the white horse was clothed in a vesture dipped in blood; and His name is called the Word. His armies in heaven followed Him upon white horses, clothed in fine linen, white and clean (Revelation 19:13-14).

From all this it is very evident that fine linen is an outward thing significative of truth from the Divine; for He that sat upon the white horse is the Lord as to the Word, as is there openly said, and the “Word” is truth itself from the Divine. That the “white horse” is the internal sense of the Word may be seen above (n. 2760-2762); hence “white horses” are truths from the Divine, for all things of the internal sense of the Word are truths from the Divine, and therefore His armies were seen upon white horses, and were clothed in fine linen white and clean.

  
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Thanks to the Swedenborg Foundation for the permission to use this translation.

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