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Genesis 4

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1 αδαμ δὲ ἔγνω ευαν τὴν γυναῖκα αὐτοῦ καὶ συλλαβοῦσα ἔτεκεν τὸν καιν καὶ εἶπεν ἐκτησάμην ἄνθρωπον διὰ τοῦ θεοῦ

2 καὶ προσέθηκεν τεκεῖν τὸν ἀδελφὸν αὐτοῦ τὸν αβελ καὶ ἐγένετο αβελ ποιμὴν προβάτων καιν δὲ ἦν ἐργαζόμενος τὴν γῆν

3 καὶ ἐγένετο μεθ' ἡμέρας ἤνεγκεν καιν ἀπὸ τῶν καρπῶν τῆς γῆς θυσίαν τῷ κυρίῳ

4 καὶ αβελ ἤνεγκεν καὶ αὐτὸς ἀπὸ τῶν πρωτοτόκων τῶν προβάτων αὐτοῦ καὶ ἀπὸ τῶν στεάτων αὐτῶν καὶ ἐπεῖδεν ὁ θεὸς ἐπὶ αβελ καὶ ἐπὶ τοῖς δώροις αὐτοῦ

5 ἐπὶ δὲ καιν καὶ ἐπὶ ταῖς θυσίαις αὐτοῦ οὐ προσέσχεν καὶ ἐλύπησεν τὸν καιν λίαν καὶ συνέπεσεν τῷ προσώπῳ

6 καὶ εἶπεν κύριος ὁ θεὸς τῷ καιν ἵνα τί περίλυπος ἐγένου καὶ ἵνα τί συνέπεσεν τὸ πρόσωπόν σου

7 οὐκ ἐὰν ὀρθῶς προσενέγκῃς ὀρθῶς δὲ μὴ διέλῃς ἥμαρτες ἡσύχασον πρὸς σὲ ἡ ἀποστροφὴ αὐτοῦ καὶ σὺ ἄρξεις αὐτοῦ

8 καὶ εἶπεν καιν πρὸς αβελ τὸν ἀδελφὸν αὐτοῦ διέλθωμεν εἰς τὸ πεδίον καὶ ἐγένετο ἐν τῷ εἶναι αὐτοὺς ἐν τῷ πεδίῳ καὶ ἀνέστη καιν ἐπὶ αβελ τὸν ἀδελφὸν αὐτοῦ καὶ ἀπέκτεινεν αὐτόν

9 καὶ εἶπεν ὁ θεὸς πρὸς καιν ποῦ ἐστιν αβελ ὁ ἀδελφός σου ὁ δὲ εἶπεν οὐ γινώσκω μὴ φύλαξ τοῦ ἀδελφοῦ μού εἰμι ἐγώ

10 καὶ εἶπεν ὁ θεός τί ἐποίησας φωνὴ αἵματος τοῦ ἀδελφοῦ σου βοᾷ πρός με ἐκ τῆς γῆς

11 καὶ νῦν ἐπικατάρατος σὺ ἀπὸ τῆς γῆς ἣ ἔχανεν τὸ στόμα αὐτῆς δέξασθαι τὸ αἷμα τοῦ ἀδελφοῦ σου ἐκ τῆς χειρός σου

12 ὅτι ἐργᾷ τὴν γῆν καὶ οὐ προσθήσει τὴν ἰσχὺν αὐτῆς δοῦναί σοι στένων καὶ τρέμων ἔσῃ ἐπὶ τῆς γῆς

13 καὶ εἶπεν καιν πρὸς τὸν κύριον μείζων ἡ αἰτία μου τοῦ ἀφεθῆναί με

14 εἰ ἐκβάλλεις με σήμερον ἀπὸ προσώπου τῆς γῆς καὶ ἀπὸ τοῦ προσώπου σου κρυβήσομαι καὶ ἔσομαι στένων καὶ τρέμων ἐπὶ τῆς γῆς καὶ ἔσται πᾶς ὁ εὑρίσκων με ἀποκτενεῖ με

15 καὶ εἶπεν αὐτῷ κύριος ὁ θεός οὐχ οὕτως πᾶς ὁ ἀποκτείνας καιν ἑπτὰ ἐκδικούμενα παραλύσει καὶ ἔθετο κύριος ὁ θεὸς σημεῖον τῷ καιν τοῦ μὴ ἀνελεῖν αὐτὸν πάντα τὸν εὑρίσκοντα αὐτόν

16 ἐξῆλθεν δὲ καιν ἀπὸ προσώπου τοῦ θεοῦ καὶ ὤ|κησεν ἐν γῇ ναιδ κατέναντι εδεμ

17 καὶ ἔγνω καιν τὴν γυναῖκα αὐτοῦ καὶ συλλαβοῦσα ἔτεκεν τὸν ενωχ καὶ ἦν οἰκοδομῶν πόλιν καὶ ἐπωνόμασεν τὴν πόλιν ἐπὶ τῷ ὀνόματι τοῦ υἱοῦ αὐτοῦ ενωχ

18 ἐγενήθη δὲ τῷ ενωχ γαιδαδ καὶ γαιδαδ ἐγέννησεν τὸν μαιηλ καὶ μαιηλ ἐγέννησεν τὸν μαθουσαλα καὶ μαθουσαλα ἐγέννησεν τὸν λαμεχ

19 καὶ ἔλαβεν ἑαυτῷ λαμεχ δύο γυναῖκας ὄνομα τῇ μιᾷ αδα καὶ ὄνομα τῇ δευτέρᾳ σελλα

20 καὶ ἔτεκεν αδα τὸν ιωβελ οὗτος ἦν ὁ πατὴρ οἰκούντων ἐν σκηναῖς κτηνοτρόφων

21 καὶ ὄνομα τῷ ἀδελφῷ αὐτοῦ ιουβαλ οὗτος ἦν ὁ καταδείξας ψαλτήριον καὶ κιθάραν

22 σελλα δὲ ἔτεκεν καὶ αὐτὴ τὸν θοβελ καὶ ἦν σφυροκόπος χαλκεὺς χαλκοῦ καὶ σιδήρου ἀδελφὴ δὲ θοβελ νοεμα

23 εἶπεν δὲ λαμεχ ταῖς ἑαυτοῦ γυναιξίν αδα καὶ σελλα ἀκούσατέ μου τῆς φωνῆς γυναῖκες λαμεχ ἐνωτίσασθέ μου τοὺς λόγους ὅτι ἄνδρα ἀπέκτεινα εἰς τραῦμα ἐμοὶ καὶ νεανίσκον εἰς μώλωπα ἐμοί

24 ὅτι ἑπτάκις ἐκδεδίκηται ἐκ καιν ἐκ δὲ λαμεχ ἑβδομηκοντάκις ἑπτά

25 ἔγνω δὲ αδαμ ευαν τὴν γυναῖκα αὐτοῦ καὶ συλλαβοῦσα ἔτεκεν υἱὸν καὶ ἐπωνόμασεν τὸ ὄνομα αὐτοῦ σηθ λέγουσα ἐξανέστησεν γάρ μοι ὁ θεὸς σπέρμα ἕτερον ἀντὶ αβελ ὃν ἀπέκτεινεν καιν

26 καὶ τῷ σηθ ἐγένετο υἱός ἐπωνόμασεν δὲ τὸ ὄνομα αὐτοῦ ενως οὗτος ἤλπισεν ἐπικαλεῖσθαι τὸ ὄνομα κυρίου τοῦ θεοῦ

   

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Arcana Coelestia # 418

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418. The previous verse deals with celestial things, which are the attributes of love, the present verse with spiritual things, which are the attributes of faith. These spiritual things are portrayed as 'the harp and organ'. That stringed instruments, such as harps and others like them, meant the spiritual things of faith is clear from many points of view. In the worship of the representative Church instruments like these, and the singing likewise, had no other representation. This was why there were so many singers and musicians, the main reason for such representation being that all heavenly joy produces gladness of heart, which was expressed by means of singing, and subsequently by means of stringed instruments that strove to match the singing and uplifted it. Every affection of the heart also has this capacity to produce singing and therefore the things which go with singing. Affection of the heart is something celestial, singing issuing from it something spiritual.

[2] That singing and the like means that which is spiritual has also become clear to me from angelic choirs, of which there are two kinds, celestial and spiritual. From the vibrant quality of their singing, to which the sound of stringed instruments may be likened, spiritual choirs are readily distinguished from celestial choirs. This will in the Lord's Divine mercy be described later on. What is more, the most ancient people related that which was celestial to the province of the heart, and that which was spiritual to the province of the lungs. In so doing they related that which was spiritual to whatever involved the lungs, such as singing voices and other similar things, and so to the voices or sounds of such instruments. The reason for their so relating them was not only that the heart and lungs represent a kind of marriage, like that of love and faith, but also that celestial angels belong to the province of the heart whereas spiritual angels belong to that of the lungs. It can also be recognized that such considerations are meant here from the fact that this is the Word of the Lord, which would contain no life at all if its message were merely that Jubal was the father of those who play on harp and organ. Nor would any use be served in anyone's knowing it.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

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