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2 Mose 15

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1 Da sang Mose und die Kinder Israel dies Lied dem HERRN und sprachen: Ich will dem HERRN singen; denn er hat eine herrliche Tat getan: Roß und Wagen hat er ins Meer gestürzt.

2 Der HERR ist meine Stärke und Lobgesang und ist mein Heil. Das ist mein Gott, ich will ihn preisen; er ist meines Vaters Gott, ich will ihn erheben.

3 Der HERR ist der rechte Kriegsmann. HERR ist sein Name.

4 Die Wagen Pharaos und seine Macht warf er ins Meer, seine auserwählten Hauptleute versanken im Schilfmeer.

5 Die Tiefe hat sie bedeckt, sie fielen zu Grund wie die Steine.

6 HERR, deine rechte Hand tut große Wunder; HERR, deine rechte Hand hat die Feinde zerschlagen.

7 Und mit deiner großen HERRLIchkeit hast du deine Widerwärtigen gestürzt; denn da du deinen Grimm ausließest, verzehrte er sie wie Stoppeln.

8 Durch dein Blasen taten sich die Wasser auf, und die Fluten stunden auf Haufen; die Tiefe wallete voneinander mitten im Meer.

9 Der Feind gedachte: Ich will ihnen nachjagen und erhaschen und den Raub austeilen und meinen Mut an ihnen kühlen; ich will mein Schwert ausziehen, und meine Hand soll sie verderben.

10 Da ließest du deinen Wind blasen, und das Meer bedeckte sie, und sanken unter wie Blei im mächtigen Wasser.

11 HERR, wer ist dir gleich unter den Göttern? Wer ist dir gleich, der so mächtig, heilig, schrecklich, löblich und wundertätig sei?

12 Da du deine rechte Hand ausrecktest, verschlang sie die Erde.

13 Du hast geleitet durch deine Barmherzigkeit dein Volk, das du erlöset hast, und hast sie geführet durch deine Stärke zu deiner heiligen Wohnung.

14 Da das die Völker höreten, erbebeten sie; Angst kam die Philister an;

15 da erschraken die Fürsten Edoms; Zittern kam die Gewaltigen Moabs an; alle Einwohner Kanaans wurden feig.

16 Laß über sie fallen Erschrecken und Furcht durch deinen großen Arm, daß sie erstarren wie die Steine, bis dein Volk, HERR, hindurchkomme, bis das Volk hindurchkomme, das du erworben hast.

17 Bringe sie hinein und pflanze sie auf dem Berge deines Erbteils, den du, HERR, dir zur Wohnung gemacht hast, zu deinem Heiligtum, HERR, das deine Hand bereitet hat.

18 Der HERR wird König sein immer und ewig.

19 Denn Pharao zog hinein ins Meer mit Rossen und Wagen und Reitern, und der HERR ließ das Meer wieder über sie fallen. Aber die Kinder Israel gingen trocken mitten durchs Meer.

20 Und Mirjam, die Prophetin, Aarons Schwester, nahm eine Pauke in ihre Hand; und alle Weiber folgten ihr nach hinaus mit Pauken am Reigen.

21 Und Mirjam sang ihnen vor: Lasset uns dem HERRN singen; denn er hat eine herrliche Tat getan, Mann und Roß hat er ins Meer gestürzt.

22 Mose ließ die Kinder Israel ziehen vom Schilfmeer hinaus zu der Wüste Sur. Und sie wanderten drei Tage in der Wüste, daß sie kein Wasser fanden.

23 Da kamen sie gen Mara; aber sie konnten des Wassers zu Mara nicht trinken, denn es war fast bitter. Daher hieß man den Ort Mara.

24 Da murrete das Volk wider Mose und sprach: Was sollen wir trinken?

25 Er schrie zu dem HERRN; und der HERR weisete ihm einen Baum, den tat er ins Wasser; da ward es süß. Daselbst stellete er ihnen ein Gesetz und ein Recht und versuchte sie

26 und sprach: Wirst du der Stimme des HERRN, deines Gottes, gehorchen und tun, was recht ist vor ihm, und zu Ohren fassen seine Gebote und halten alle seine Gesetze, so will ich der Krankheit keine auf dich legen, die ich auf Ägypten gelegt habe; denn ich bin der HERR, dein Arzt.

27 Und sie kamen nach Elim, da waren zwölf Wasserbrunnen und siebenzig Palmbäume; und lagerten sich daselbst ans Wasser.

   

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Arcana Coelestia # 8337

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8337. 'And Miriam the prophetess, Aaron's sister, took a timbrel in her hand' means ascribing glory to the Lord from the good of faith. This is clear from the representation of 'Miriam' as the good of faith, for 'Moses' represents the truth of faith that goes forth directly from the Lord, thus inward truth, whereas 'Aaron' represents the truth of faith that goes forth from the Lord in an indirect way, thus outward truth, 7009, 7089, 7382, so that 'Miriam' is the good of faith which goes forth in an indirect way from the Lord, for when 'men' represent truth, 'their womenfolk' represent good, 6014 (since Miriam along with the women represents external good she is in addition referred to as 'Aaron's sister', though she is not called Moses' sister, the relation between good and truth being like that of sister and brother, 3160. But it should be remembered that 'women' represent good and 'men' truth when the spiritual Church is the subject, whereas 'women' represent truth and 'men' good when the celestial Church is the subject, 4823); from the meaning of 'the prophetess' as one who teaches, dealt with in 2534, 7269, at this point one who joins in praising the Lord, or what amounts to the same thing, one who ascribes glory to Him from the good of faith, since she sang to Jehovah, as Moses and the men of Israel had done (for the meaning of 'singing' as ascribing glory, see 8261, 8263, 8267); and from the meaning of 'taking a timbrel in one's hand' as ascribing glory from the good of faith, since 'a timbrel' has reference to spiritual good, or what amounts to the same thing, to the good of faith, 4138.

[2] In former times many types of musical instruments were used when God was worshipped, but with much discrimination. In general wind instruments were used to express affections for good, and stringed instruments affections for truth; and the origin of this was the correspondence of every sound to the affections. It is well known that some types of musical instruments are used to express one kind of natural affections and other types to express another kind, and that when a fitting melody is played they in actual fact stir the affections. Skilled musicians know all about this and also make proper use of it. The reason for it lies in the very nature of sound, and its accord with the affections. Mankind at first learned about it not from science and art but through the ear and its keen sense of hearing. From this it is plain that the ability does not have its origin in the natural world but in the spiritual world; it, springs from the correspondence of things in the natural world - which flow into it in accordance with true order - with realities in the spiritual world. Harmonious sound and various forms it takes correspond to states of joy and gladness in the spiritual world, and states of joy and gladness there spring from affections, which in that world are affections for what is good and true. From this one may now recognize that musical instruments correspond to delights and pleasures belonging to spiritual and celestial affections, and that some instruments correspond to celestial affections, others to spiritual ones; see what has been stated and shown about them previously in 418-420, 4138.

[3] As regards 'a timbrel' in particular, this corresponds to spiritual good, that is, to the good of truth. This is because a timbrel is neither a stringed nor a wind instrument but, being made of skin, is an instrument of one continuous string so to speak; and it is also because it has a heavier and deeper sound than that made by stringed instruments. This may also be recognized from the Word, in places in which 'a timbrel' is mentioned, as in Isaiah,

The joy of timbrels will cease, the noise of merry ones will cease, the joy of the harp will cease. Isaiah 24:8.

'The joy of timbrels' stands for delights that belong to affections for the good of faith; 'the joy of the harp' stands for delight that belongs to an affection for the truth of faith.

In Jeremiah,

Again I will build you, that you may be built, O virgin of Israel! Again you will adorn your timbrels, 1 and will go forth in the dance of the merrymakers. Jeremiah 31:4.

'Adorning timbrels' stands for ascribing glory to God from spiritual good, for it refers to the spiritual Church, meant by 'the virgin of Israel'.

[4] Similarly in Ezekiel,

You were in Eden, the garden of God. The workmanship of your timbrels and your pipes was within you; on the day you were created they were prepared. Ezekiel 28:13.

This refers to Tyre, by which cognitions or knowledge of good and of truth are meant, 'timbrels' meaning affections for the former and 'pipes' feelings of joy in the latter.

In David,

They have seen Your goings, O God, the goings of my God, my King, in the sanctuary. The singers went before, players [of stringed instruments] after, in the midst of the virgins playing timbrels. Psalms 68:24-25.

In the same author,

Shout to the God of Jacob; raise a song, and sound the timbrel, the delightful harp with the lyre. Psalms 81:1-2.

In the same author,

Sing to Jehovah a new song; let them praise His name in dancing, with timbrel and harp let them make melody to Him. Psalms 149:1, 3.

Here 'praising with timbrel' stands for ascribing glory from the feeling of delight that belongs to an affection for the good of faith, and 'praising with harp' for the pleasant feeling that belongs to an affection for the truth of faith.

[5] In the same author,

Praise God with timbrel and dance; praise Him with stringed instruments and organ praise Him with sounding cymbals 2 ; praise Him with clanging cymbals. 3 Psalms 150:3-5

'Praising with timbrel and dance' stands for doing so from the good and truth of faith; 'on stringed instruments and organ' stands for doing so from truths and consequently from good. Since all instruments corresponded to and were signs of the delights and pleasant feelings that belong to spiritual and celestial affections a large number of the Psalms of David have titles indicating how they were to be accompanied, such as On Neginoth, On the Nehiloth, On the Octave, 4 Shiggaion, the Gittith Muthlabben, the Sheminith, Shoshannim, or Mahalath.

Poznámky pod čarou:

1. The Latin here and in 153, 1069:2, 3081:4 means literally will adorn your timbrels, but the Hebrew is generally taken to mean adorn yourself with timbrels.

2. lit. cymbals of sound

3. lit. cymbals of clangour

4. The Hebrew means On the Sheminith.

  
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Thanks to the Swedenborg Society for the permission to use this translation.