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出埃及記 27

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1 你要用皂莢。這四方的,長五肘,寬五肘,肘。

2 要在壇的拐角上做個角,與壇接連一塊,用銅把壇包裹。

3 要做,收去壇上的灰,又做鏟子、盤子、肉鍤子、火鼎;壇上一切的器具都用銅做。

4 要為壇做一個銅,在角上做個銅

5 安在四面的圍腰板以,使達到的半腰。

6 又要用皂莢做杠,用銅包裹。

7 這杠要穿在兩旁的子內,用以抬

8 要用板做壇,壇是空的,都照著在上指示你的樣式作。

9 你要做帳幕的院子。院子的面要用撚的細麻做帷子,長肘。

10 帷子的子要二十根,帶卯的銅座二十個。子上的鉤子和杆子都要用子做。

11 面也當有帷子,長一肘,帷子的二十根,帶卯的銅座二十個。子上的鉤子和杆子都要用子做。

12 院子的西面當有帷子,寬五十肘,帷子的根,帶卯的座個。

13 院子的東面要寬五十肘。

14 門這邊的帷子要十五肘,帷子的根,帶卯的座個。

15 門那邊的帷子也要十五肘,帷子的根,帶卯的座個。

16 院子的當有簾子,長二十肘,要拿藍色紫色、朱紅色線,和撚的細麻,用繡花的手工織成,根,帶卯的座個。

17 院子四圍一切的子都要用杆連絡,子上的鉤子要用做,帶卯的座要用銅做。

18 院子要長一肘,寬五十肘,五肘,帷子要用撚的細麻做,帶卯的座要用銅做。

19 帳幕各樣用處的器具,並帳幕一切的橛子,和院子裡一切的橛子,都要用銅做。

20 你要吩咐以色列人,把那為點搗成的清橄欖拿來給你,使常常點著。

21 會幕中法櫃前的幔外,亞倫和他的兒子,從晚上早晨,要在耶和華面前經理這。這要作以色列人世代永遠的定例。

   

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Arcana Coelestia # 9467

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9467. And crimson. That this signifies the celestial love of good, is evident from the signification of “crimson,” as being the celestial love of good. The reason why this is signified by “crimson,” is that by a red color is signified the good of celestial love. For there are two fundamental colors from which come the rest: the color red, and the color white. The color “red” signifies the good which is of love; and the color “white” signifies the truth which is of faith. That the color “red” signifies the good which is of love, is because it comes from fire, and “fire” denotes the good of love; and the color “white” signifies the truth which is of faith, because it comes from light, and “light” denotes the truth of faith. (That “fire” denotes the good of love, see n. 5215, 6314, 6832, 6834, 6849, 7324, 9434; and that “light” denotes the truth of faith, n. 2776, 3195, 3636, 3643, 3993, 4302, 4413, 4415, 5400, 8644, 8707, 8861, 9399, 9407; that “red” denotes the good of love, n. 3300; and “white,” the truth of faith, n. 3993, 4007, 5319)

[2] From this it is evident what the remaining colors signify; for insofar as they partake of red they signify the good of love; and insofar as they partake of white they signify the truth of faith; for all the colors that appear in heaven are modifications of heavenly light and flame upon these two planes. For heavenly light is real light, and in itself is the Divine truth that proceeds from the Divine good of the Lord; wherefore the modifications of this light and flame are variegations of truth and good, thus of intelligence and wisdom.

[3] This shows why the veils and curtains of the tent, and also the garments of Aaron, were to be woven of blue, crimson, scarlet double-dyed, and fine linen (Exodus 26:1 (Exodus 26:1), 31, 36; 27:16; 28:6, 15); namely, that by these things might be represented the celestial things that belong to good, and the spiritual things that belong to truth (of which in what follows).

[4] Good from a celestial origin is signified by “crimson” also in Ezekiel:

Fine linen with broidered work from Egypt was thy spread, blue and crimson from the Isles of Elishah were thy covering (Ezekiel 27:7);

speaking of Tyre, by which are signified the knowledges of truth and good; “blue and crimson for a covering” denote the knowledges of truth and good from a celestial origin.

[5] Like things are signified by “crimson and fine linen” in Luke:

There was a certain rich man, who was clothed in crimson and fine linen, and fared splendidly every day (Luke 16:19);

by the “rich man” was meant in the internal sense the Jewish nation and the church among them, which was called “rich” from the knowledges of good and truth from the Word there existing; “garments of crimson and fine linen” denote these knowledges; “garments of crimson,” the knowledges of good; and “garments of fine linen,” the knowledges of truth; both from a celestial origin, because from the Divine. The like is also signified by “crimson” in the Revelation:

A woman sitting upon a scarlet beast, arrayed in crimson and scarlet (Revelation 17:3-4);

treating of Babylon, by which is signified the church wherein the holy things of the Word are applied to profane uses, that is, to such as aim at dominions in heaven and on earth; thus from the infernal love of self and of the world.

  
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Thanks to the Swedenborg Foundation for the permission to use this translation.