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出埃及記 26

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1 你要用幅幔子做帳幕。這些幔子要用撚的細麻和藍色紫色、朱紅色線製造,並用巧匠的手工繡上基路伯

2 每幅幔子要長二十肘,寬肘,幔子都要樣的尺寸。

3 這五幅幔子要幅幅相連;那五幅幔子也要幅幅相連。

4 在這相連的幔子末幅邊上要做藍色的鈕扣;在那相連的幔子末幅邊上也要照樣做。

5 要在這相連的幔子上做五十個鈕扣;在那相連的幔子上也做五十個鈕扣,都要兩兩相對。

6 又要做五十鉤,用鉤使幔子相連,這才成了個帳幕。

7 你要用山羊毛織十一幅幔子,作為帳幕以上的罩棚。

8 每幅幔子要長三十肘,寬肘;十幅幔子都要樣的尺寸。

9 要把五幅幔子連成一幅,又把幅幔子連成一幅,這第六幅幔子要在罩棚的前面摺上去。

10 在這相連的幔子末幅邊上要做五十個鈕扣;在那相連的幔子末幅邊上也做五十個鈕扣。

11 又要做五十個銅鉤,鉤在鈕扣中,使罩棚連成個。

12 罩棚的幔子所餘那垂下來的半幅幔子,要垂在帳幕的後頭。

13 罩棚的幔子所餘長的,這邊一肘,那邊一肘,要垂在帳幕的兩旁,遮蓋帳幕。

14 又要用染紅的公羊皮做罩棚的蓋;再用海狗做一層罩棚上的頂蓋。

15 你要用皂莢做帳幕的豎板。

16 每塊要長肘,寬肘半;

17 每塊必有兩榫相對。帳幕切的板要這樣做。

18 帳幕的面要做板二十塊。

19 在這二十塊板底要做四十個帶卯的座,兩卯接這塊板上的兩榫,兩卯接那塊板上的兩榫。

20 帳幕第二面,就是面,也要做板二十

21 和帶卯的四十個;這板底有兩卯,那板底也有兩卯。

22 帳幕的後面,就是西面,要做板塊。

23 帳幕後面的拐角要做板兩塊。

24 板的半截要雙的,上半截要整的,直頂到第子;兩塊要這樣做兩個拐角。

25 必有塊板和十六個帶卯的座;這板底有兩卯,那板底也有兩卯。

26 你要用皂莢做閂:為帳幕這面的板做五閂,

27 為帳幕那面的板做五閂,又為帳幕後面的板做五閂。

28 板腰間的中閂要從這一頭通到那一頭。

29 板要用子包裹,又要做板上的套閂;閂也要用子包裹。

30 要照著在上指示你的樣式立起帳幕。

31 你要用藍色紫色、朱紅色線,和撚的細麻織幔子,以巧匠的手工繡上基路伯

32 要把幔子掛在根包的皂莢木子上,子上當有鉤,子安在個帶卯的座上。

33 要使幔子垂在鉤子,把法櫃抬進幔子內;這幔子要將所和至所隔開。

34 又要把施恩座安在至所內的法櫃上,

35 桌子安在幔子外帳幕的面;把臺安在帳幕的南面,彼此相對。

36 你要拿藍色紫色、朱紅色線,和撚的細麻,用繡花的手工織帳幕的簾。

37 要用皂莢木為簾子做五根子,用子包裹。子上當有鉤;又要為子用銅鑄造五個帶卯的座。

   

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Arcana Coelestia # 9467

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9467. And crimson. That this signifies the celestial love of good, is evident from the signification of “crimson,” as being the celestial love of good. The reason why this is signified by “crimson,” is that by a red color is signified the good of celestial love. For there are two fundamental colors from which come the rest: the color red, and the color white. The color “red” signifies the good which is of love; and the color “white” signifies the truth which is of faith. That the color “red” signifies the good which is of love, is because it comes from fire, and “fire” denotes the good of love; and the color “white” signifies the truth which is of faith, because it comes from light, and “light” denotes the truth of faith. (That “fire” denotes the good of love, see n. 5215, 6314, 6832, 6834, 6849, 7324, 9434; and that “light” denotes the truth of faith, n. 2776, 3195, 3636, 3643, 3993, 4302, 4413, 4415, 5400, 8644, 8707, 8861, 9399, 9407; that “red” denotes the good of love, n. 3300; and “white,” the truth of faith, n. 3993, 4007, 5319)

[2] From this it is evident what the remaining colors signify; for insofar as they partake of red they signify the good of love; and insofar as they partake of white they signify the truth of faith; for all the colors that appear in heaven are modifications of heavenly light and flame upon these two planes. For heavenly light is real light, and in itself is the Divine truth that proceeds from the Divine good of the Lord; wherefore the modifications of this light and flame are variegations of truth and good, thus of intelligence and wisdom.

[3] This shows why the veils and curtains of the tent, and also the garments of Aaron, were to be woven of blue, crimson, scarlet double-dyed, and fine linen (Exodus 26:1 (Exodus 26:1), 31, 36; 27:16; 28:6, 15); namely, that by these things might be represented the celestial things that belong to good, and the spiritual things that belong to truth (of which in what follows).

[4] Good from a celestial origin is signified by “crimson” also in Ezekiel:

Fine linen with broidered work from Egypt was thy spread, blue and crimson from the Isles of Elishah were thy covering (Ezekiel 27:7);

speaking of Tyre, by which are signified the knowledges of truth and good; “blue and crimson for a covering” denote the knowledges of truth and good from a celestial origin.

[5] Like things are signified by “crimson and fine linen” in Luke:

There was a certain rich man, who was clothed in crimson and fine linen, and fared splendidly every day (Luke 16:19);

by the “rich man” was meant in the internal sense the Jewish nation and the church among them, which was called “rich” from the knowledges of good and truth from the Word there existing; “garments of crimson and fine linen” denote these knowledges; “garments of crimson,” the knowledges of good; and “garments of fine linen,” the knowledges of truth; both from a celestial origin, because from the Divine. The like is also signified by “crimson” in the Revelation:

A woman sitting upon a scarlet beast, arrayed in crimson and scarlet (Revelation 17:3-4);

treating of Babylon, by which is signified the church wherein the holy things of the Word are applied to profane uses, that is, to such as aim at dominions in heaven and on earth; thus from the infernal love of self and of the world.

  
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Thanks to the Swedenborg Foundation for the permission to use this translation.