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出埃及記 26

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1 你要用幅幔子做帳幕。這些幔子要用撚的細麻和藍色紫色、朱紅色線製造,並用巧匠的手工繡上基路伯

2 每幅幔子要長二十肘,寬肘,幔子都要樣的尺寸。

3 這五幅幔子要幅幅相連;那五幅幔子也要幅幅相連。

4 在這相連的幔子末幅邊上要做藍色的鈕扣;在那相連的幔子末幅邊上也要照樣做。

5 要在這相連的幔子上做五十個鈕扣;在那相連的幔子上也做五十個鈕扣,都要兩兩相對。

6 又要做五十鉤,用鉤使幔子相連,這才成了個帳幕。

7 你要用山羊毛織十一幅幔子,作為帳幕以上的罩棚。

8 每幅幔子要長三十肘,寬肘;十幅幔子都要樣的尺寸。

9 要把五幅幔子連成一幅,又把幅幔子連成一幅,這第六幅幔子要在罩棚的前面摺上去。

10 在這相連的幔子末幅邊上要做五十個鈕扣;在那相連的幔子末幅邊上也做五十個鈕扣。

11 又要做五十個銅鉤,鉤在鈕扣中,使罩棚連成個。

12 罩棚的幔子所餘那垂下來的半幅幔子,要垂在帳幕的後頭。

13 罩棚的幔子所餘長的,這邊一肘,那邊一肘,要垂在帳幕的兩旁,遮蓋帳幕。

14 又要用染紅的公羊皮做罩棚的蓋;再用海狗做一層罩棚上的頂蓋。

15 你要用皂莢做帳幕的豎板。

16 每塊要長肘,寬肘半;

17 每塊必有兩榫相對。帳幕切的板要這樣做。

18 帳幕的面要做板二十塊。

19 在這二十塊板底要做四十個帶卯的座,兩卯接這塊板上的兩榫,兩卯接那塊板上的兩榫。

20 帳幕第二面,就是面,也要做板二十

21 和帶卯的四十個;這板底有兩卯,那板底也有兩卯。

22 帳幕的後面,就是西面,要做板塊。

23 帳幕後面的拐角要做板兩塊。

24 板的半截要雙的,上半截要整的,直頂到第子;兩塊要這樣做兩個拐角。

25 必有塊板和十六個帶卯的座;這板底有兩卯,那板底也有兩卯。

26 你要用皂莢做閂:為帳幕這面的板做五閂,

27 為帳幕那面的板做五閂,又為帳幕後面的板做五閂。

28 板腰間的中閂要從這一頭通到那一頭。

29 板要用子包裹,又要做板上的套閂;閂也要用子包裹。

30 要照著在上指示你的樣式立起帳幕。

31 你要用藍色紫色、朱紅色線,和撚的細麻織幔子,以巧匠的手工繡上基路伯

32 要把幔子掛在根包的皂莢木子上,子上當有鉤,子安在個帶卯的座上。

33 要使幔子垂在鉤子,把法櫃抬進幔子內;這幔子要將所和至所隔開。

34 又要把施恩座安在至所內的法櫃上,

35 桌子安在幔子外帳幕的面;把臺安在帳幕的南面,彼此相對。

36 你要拿藍色紫色、朱紅色線,和撚的細麻,用繡花的手工織帳幕的簾。

37 要用皂莢木為簾子做五根子,用子包裹。子上當有鉤;又要為子用銅鑄造五個帶卯的座。

   

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Apocalypse Revealed # 725

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725. 17:4 The woman was arrayed in purple and scarlet. This symbolizes the celestial Divine good and truth contained in the Word among Roman Catholics.

Purple symbolizes celestial Divine good, and scarlet symbolizes celestial Divine truth, as will be seen presently. To be arrayed in them means, symbolically, to have these about them, thus among them. They have these among them from the Word, because the scarlet beast on which the woman was sitting symbolizes the Word (no. 723).

People know that Roman Catholics have the Divine good and truth in the Word about them, thus among them, as a kind of garment, for they venerate the Word outwardly and not inwardly. They acknowledge it, because it tells about the Lord and about His authority over heaven and the church, which they have transferred to themselves. It also tells about the keys given to Peter, whose successors they say they are. So, because they found their majesty, grandeur and power on these two points, of necessity they acknowledge the holiness of the Word. But still the Word is for them only a kind of garment of purple and scarlet, and of gold, precious stones and pearls, upon a harlot holding a golden cup in her hand, full of abominations and the filthiness of her licentiousness.

[2] Since the verse mentions purple and scarlet, and then gold, precious stones and pearls, and since purple and scarlet symbolize celestial Divine good and truth, while gold and precious stones symbolize spiritual Divine good and truth, both emanating from the Word, therefore we must say something about celestial Divinity and spiritual Divinity:

The Lord's whole heaven has been divided into two kingdoms - the celestial kingdom and the spiritual kingdom. The celestial kingdom consists of angels who are impelled by love from the Lord, and the spiritual kingdom of angels who are impelled by wisdom from the Lord. Each kingdom has in it goodness and truth. The goodness and truth among angels in the celestial kingdom are symbolized by purple and scarlet, while the goodness and truth among angels in the spiritual kingdom are symbolized by gold and precious stones. Angels have both the one and the other goodness and truth from the Lord by means of the Word. Consequently the Word has in it two interior levels of meaning, one celestial and the other spiritual.

This now is the reason that the woman sitting on the scarlet beast appeared arrayed in purple and scarlet and adorned with gold, precious stones and pearls.

[3] Like the symbolism of the woman here is the symbolism of the "rich man who was clothed in purple and fine linen and fared sumptuously every day," at whose gate Lazarus lay prostrate, "desiring to be fed with the crumbs which fell from the rich man's table" (Luke 16:19-21). The rich man clothed in purple and fine linen refers to the Jews, who had the Word, and Lazarus refers to the gentiles who did not have it.

Similar symbolic meanings are found in the following places:

Those who ate delicacies are devastated in the streets; those who were brought up on scarlet embrace dunghills. (Lamentations 4:5)

When you are plundered, what will you do? Though you clothe yourself with scarlet, though you adorn yourself with ornaments of gold..., in vain you will make yourself fair. (Jeremiah 4:30)

O daughters of Israel, weep over Saul, who clothed you in scarlet, with luxury, (and) who put ornaments of gold on your apparel. (2 Samuel 1:24)

Fine embroidered linen... was what you spread...; blue and purple... was your covering. (Ezekiel 27:7)

The last is said of Tyre, which symbolizes concepts of truth and goodness from the Word.

[4] Since purple and scarlet symbolize celestial goodness and truth, therefore Aaron's vestments and the veil and curtains of the Tabernacle were woven of blue, purple, scarlet and fine linen (Exodus 25:4; 26:31, 36; 27:16; 28:6, 15). Regarding the curtains (Exodus 26:1). The veil before the Ark (Exodus 26:31). The hem of the robe of the ephod (Exodus 28:33). The scarlet cloth over the showbread (Numbers 4:8).

It is apparent from this what is symbolized by the purple and scarlet with which the woman sitting on the scarlet beast appeared arrayed.

So likewise in the following passage, where we read:

Alas..., the great city that was clothed in fine linen, purple, and scarlet..., adorned with gold and precious stones and pearls! For in one hour such great riches were laid waste. (Revelation 18:16-17)

Moreover, purple and scarlet, gold, precious stones and pearls were among the merchandise of Babylon (Revelation 18:12).

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.