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出埃及記 26

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1 你要用幅幔子做帳幕。這些幔子要用撚的細麻和藍色紫色、朱紅色線製造,並用巧匠的手工繡上基路伯

2 每幅幔子要長二十肘,寬肘,幔子都要樣的尺寸。

3 這五幅幔子要幅幅相連;那五幅幔子也要幅幅相連。

4 在這相連的幔子末幅邊上要做藍色的鈕扣;在那相連的幔子末幅邊上也要照樣做。

5 要在這相連的幔子上做五十個鈕扣;在那相連的幔子上也做五十個鈕扣,都要兩兩相對。

6 又要做五十鉤,用鉤使幔子相連,這才成了個帳幕。

7 你要用山羊毛織十一幅幔子,作為帳幕以上的罩棚。

8 每幅幔子要長三十肘,寬肘;十幅幔子都要樣的尺寸。

9 要把五幅幔子連成一幅,又把幅幔子連成一幅,這第六幅幔子要在罩棚的前面摺上去。

10 在這相連的幔子末幅邊上要做五十個鈕扣;在那相連的幔子末幅邊上也做五十個鈕扣。

11 又要做五十個銅鉤,鉤在鈕扣中,使罩棚連成個。

12 罩棚的幔子所餘那垂下來的半幅幔子,要垂在帳幕的後頭。

13 罩棚的幔子所餘長的,這邊一肘,那邊一肘,要垂在帳幕的兩旁,遮蓋帳幕。

14 又要用染紅的公羊皮做罩棚的蓋;再用海狗做一層罩棚上的頂蓋。

15 你要用皂莢做帳幕的豎板。

16 每塊要長肘,寬肘半;

17 每塊必有兩榫相對。帳幕切的板要這樣做。

18 帳幕的面要做板二十塊。

19 在這二十塊板底要做四十個帶卯的座,兩卯接這塊板上的兩榫,兩卯接那塊板上的兩榫。

20 帳幕第二面,就是面,也要做板二十

21 和帶卯的四十個;這板底有兩卯,那板底也有兩卯。

22 帳幕的後面,就是西面,要做板塊。

23 帳幕後面的拐角要做板兩塊。

24 板的半截要雙的,上半截要整的,直頂到第子;兩塊要這樣做兩個拐角。

25 必有塊板和十六個帶卯的座;這板底有兩卯,那板底也有兩卯。

26 你要用皂莢做閂:為帳幕這面的板做五閂,

27 為帳幕那面的板做五閂,又為帳幕後面的板做五閂。

28 板腰間的中閂要從這一頭通到那一頭。

29 板要用子包裹,又要做板上的套閂;閂也要用子包裹。

30 要照著在上指示你的樣式立起帳幕。

31 你要用藍色紫色、朱紅色線,和撚的細麻織幔子,以巧匠的手工繡上基路伯

32 要把幔子掛在根包的皂莢木子上,子上當有鉤,子安在個帶卯的座上。

33 要使幔子垂在鉤子,把法櫃抬進幔子內;這幔子要將所和至所隔開。

34 又要把施恩座安在至所內的法櫃上,

35 桌子安在幔子外帳幕的面;把臺安在帳幕的南面,彼此相對。

36 你要拿藍色紫色、朱紅色線,和撚的細麻,用繡花的手工織帳幕的簾。

37 要用皂莢木為簾子做五根子,用子包裹。子上當有鉤;又要為子用銅鑄造五個帶卯的座。

   

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Apocalypse Explained # 576

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576. Having breastplates fiery, hyacinthine, and brimstone-like, signifies reasonings combating from the cupidities of the love of self and of the world, and from the falsities therefrom. This is evident from the signification of breastplates, as being armor for war, and in particular, defenses in combats (of which above, n. 557; also from the signification of "fire or fiery," as being the cupidity of the love of self, and thence of all evil (See above, n. 504; also from the signification of "hyacinth or hyacinthine," as being the cupidity of the love of the world and thus of all falsity (of which presently); and from the signification of "brimstone or brimstone-like," as being the lust of destroying the goods and truths of the church by falsities of evil see below, n. 578, here meaning falsity burning from these two loves. From this it can be seen that "breastplates fiery, hyacinthine, and brimstone-like," signify reasonings combating from the cupidities of the loves of self and of the world, and from the falsities from those loves.

[2] In regard to "hyacinthine," it signifies in the spiritual sense the heavenly love of truth, but in the contrary sense the diabolical love of falsity, and also love of the world; as can be seen from its being of the color of heaven, and that color signifies truth from a heavenly origin, so in the contrary sense, falsity from a diabolical origin. In the spiritual world the choicest colors appear; and these have their origin in good and truth; for colors there are modifications of heavenly light, thus of the intelligence and wisdom, that are with the angels in heaven. This is why hyacinthine, purple, and scarlet double-dyed were interwoven in the curtains of the tabernacle and in the garments of Aaron; for the tabernacle represented the heaven of the Lord, and the garments of Aaron the Divine truth of heaven and the church, and those things of which the tabernacle was constructed, and of which the garments of Aaron were woven, represented celestial and spiritual things, which are of Divine good and Divine truth.

[3] Thus:

The veil before the ark was of hyacinthine, purple, and scarlet double-dyed, and fine twined linen (See Exodus 26:31).

Likewise the screen for the door of the tent (verse 36).

And the screen for the entrance of the court (Exodus 27:16).

The loops on the edge of the curtain of the tent were hyacinthine (Exodus 26:4);

The ephod was of gold, hyacinthine, purple, and scarlet double-dyed interwoven (Exodus 28:6);

And also the breastplate of judgment (verse 15);

When the camp set forward in the wilderness, Aaron and his sons spread a cloth of hyacinthine over the ark, over the table of faces, over the lampstand and the lamps, over the golden altar, and over all the vessels of ministry (Numbers 4:6, 7, 9, 11, 12).

This is because Divine truth proceeding from Divine love, which is signified by "the cloth of hyacinthine," embraces and protects all the holy things of heaven and the church, which the things covered represent.

[4] Because "hyacinthine" signified the celestial love of truth, it was commanded:

That the sons of Israel should make for themselves a fringe in the borders of their garments, and should put on it a cord of hyacinthine, that in looking upon it they might remember all the commandments of Jehovah and do them (Numbers 15:38, 39).

Here "the cord of hyacinthine" stands evidently for the remembrance of the commandments of Jehovah; the commandments of Jehovah are the essential truths of heaven and the church, and these are remembered only by such as are in a celestial love of truth.

[5] That "hyacinthine" signifies the love of truth can be seen from the following in Ezekiel:

Fine linen in broidered work from Egypt was thy spreading forth, to be for thy ensign; hyacinthine and purple from the isles of Elishah was thy covering. These were thy traffickers with choice wares, with bales of hyacinthine and broidered work, and with treasures of precious garments (Ezekiel 27:7, 24).

This is said of Tyre, which signifies the church in respect to the knowledges of truth; so, too, it signifies the knowledges of truth belonging to the church, and her "merchandise and tradings" mentioned in this chapter describe the acquisition of intelligence by means of such knowledges; "broidered work from Egypt" signifies the knowledge [scientia] of such things as are of the church; and because this has a lower place, and is thus round about or without, it is called "a spreading forth," and is said to be "for an ensign." "Hyacinthine and purple from the isles of Elishah" signify the spiritual affection of truth and good; therefore these are said to be "for a covering," a "covering" signifying truth. "Bales of hyacinthine and broidered work" signify all truths, spiritual and natural, and these together with the knowledges from the Word are meant by "the treasures of precious garments."

[6] As "hyacinthine" signifies the heavenly love of truth, so in the contrary sense it signifies the diabolical love of falsity; and in that sense also "hyacinthine" is mentioned in the Word. Thus in Ezekiel:

Two women, the daughters of one mother, committed whoredom in Egypt in their youth. Oholah which is Samaria, and Oholibah which is Jerusalem. And Oholah committed whoredom while under me, and she doted on her lovers, the Assyrians her neighbors, which were clothed in hyacinthine, governors and rulers, all of them young men of desire, horsemen riding upon horses (Ezekiel 23:2-6).

Here "Samaria" and "Jerusalem" signify the church, "Samaria" the spiritual church, and "Jerusalem" the celestial church, which are called "Oholah" and "Oholibah" because these names mean a "tent," and a "tent" signifies the church in respect to worship; "woman" also in the Word signifies the church; "they committed whoredom in Egypt" signifies the falsification of the truths of the church by the knowledges [scientifica] of the natural man; "she doted on the Assyrians" signifies the falsification by reasonings from those knowledges [scientifica]; "Asshur and Assyria" signify reasonings; they are said to be "clothed in hyacinthine" by reason of fallacies and falsities, which in external form appear to be truths because they are from the sense of the letter of the Word wrongly applied. And because of this same appearance they are also called "governors and rulers, young men of desire, riding upon horses," for those who reason from self-intelligence appear to themselves and to others of like character to be intelligent and wise, and the things they speak to be truths of intelligence and goods of wisdom, when yet they are falsities which they love because they are from what is their own [proprium]; "governors and rulers" signify principal truths, and "those riding upon horses" signify the intelligent.

[7] In Jeremiah:

Silver spread into plates is brought from Tarshish, and gold from Uphaz, the work of the workman and of the hands of the refiner; their garments 1 are hyacinthine and purple; all are the work of the wise (Jeremiah 10:9).

This treats of the idols of the house of Israel, which signify doctrinals that are false, because they are from self-intelligence; therefore they are called "the work of the workman and of the hands of the refiner, and all the work of the wise," and this because these doctrinals appear to them to be truths and goods; "silver from Tarshish and gold from Uphaz," signifies what appears in external form to be truth and good, because from the sense of the letter of the Word. From this it can be seen that "hyacinthine" signifies the love of what is false because it is from self [proprium] or from self-intelligence. "Hyacinthine" also signifies the love of the world, because the love of the world corresponds to the love of falsity, as the love of self, which is signified by "fire," corresponds to the love of evil; for all evil is from the love of self, and all falsity is from the love of the world which has its origin in the love of self; for spiritual evil, which is meant by the love of the world, is in its essence falsity, as spiritual good is in its essence truth (See in the work on Heaven and Hell 15).

Poznámky pod čarou:

1. Latin has "raiments," the Hebrew "raiment," as found in AE 585, 587, 1186.

  
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Thanks to the Swedenborg Foundation for their permission to use this translation.