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出埃及記 26

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1 你要用幅幔子做帳幕。這些幔子要用撚的細麻和藍色紫色、朱紅色線製造,並用巧匠的手工繡上基路伯

2 每幅幔子要長二十肘,寬肘,幔子都要樣的尺寸。

3 這五幅幔子要幅幅相連;那五幅幔子也要幅幅相連。

4 在這相連的幔子末幅邊上要做藍色的鈕扣;在那相連的幔子末幅邊上也要照樣做。

5 要在這相連的幔子上做五十個鈕扣;在那相連的幔子上也做五十個鈕扣,都要兩兩相對。

6 又要做五十鉤,用鉤使幔子相連,這才成了個帳幕。

7 你要用山羊毛織十一幅幔子,作為帳幕以上的罩棚。

8 每幅幔子要長三十肘,寬肘;十幅幔子都要樣的尺寸。

9 要把五幅幔子連成一幅,又把幅幔子連成一幅,這第六幅幔子要在罩棚的前面摺上去。

10 在這相連的幔子末幅邊上要做五十個鈕扣;在那相連的幔子末幅邊上也做五十個鈕扣。

11 又要做五十個銅鉤,鉤在鈕扣中,使罩棚連成個。

12 罩棚的幔子所餘那垂下來的半幅幔子,要垂在帳幕的後頭。

13 罩棚的幔子所餘長的,這邊一肘,那邊一肘,要垂在帳幕的兩旁,遮蓋帳幕。

14 又要用染紅的公羊皮做罩棚的蓋;再用海狗做一層罩棚上的頂蓋。

15 你要用皂莢做帳幕的豎板。

16 每塊要長肘,寬肘半;

17 每塊必有兩榫相對。帳幕切的板要這樣做。

18 帳幕的面要做板二十塊。

19 在這二十塊板底要做四十個帶卯的座,兩卯接這塊板上的兩榫,兩卯接那塊板上的兩榫。

20 帳幕第二面,就是面,也要做板二十

21 和帶卯的四十個;這板底有兩卯,那板底也有兩卯。

22 帳幕的後面,就是西面,要做板塊。

23 帳幕後面的拐角要做板兩塊。

24 板的半截要雙的,上半截要整的,直頂到第子;兩塊要這樣做兩個拐角。

25 必有塊板和十六個帶卯的座;這板底有兩卯,那板底也有兩卯。

26 你要用皂莢做閂:為帳幕這面的板做五閂,

27 為帳幕那面的板做五閂,又為帳幕後面的板做五閂。

28 板腰間的中閂要從這一頭通到那一頭。

29 板要用子包裹,又要做板上的套閂;閂也要用子包裹。

30 要照著在上指示你的樣式立起帳幕。

31 你要用藍色紫色、朱紅色線,和撚的細麻織幔子,以巧匠的手工繡上基路伯

32 要把幔子掛在根包的皂莢木子上,子上當有鉤,子安在個帶卯的座上。

33 要使幔子垂在鉤子,把法櫃抬進幔子內;這幔子要將所和至所隔開。

34 又要把施恩座安在至所內的法櫃上,

35 桌子安在幔子外帳幕的面;把臺安在帳幕的南面,彼此相對。

36 你要拿藍色紫色、朱紅色線,和撚的細麻,用繡花的手工織帳幕的簾。

37 要用皂莢木為簾子做五根子,用子包裹。子上當有鉤;又要為子用銅鑄造五個帶卯的座。

   

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Arcana Coelestia # 9466

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9466. 'And violet' means the celestial love of truth. This is clear from the meaning of 'violet' as the celestial love of truth, the reason why 'violet' has this meaning being that it is a celestial colour, and by this colour truth from a celestial origin is meant, that is, truth springing from the good of love to the Lord. This good predominates in the inmost heaven, revealing itself in the middle or second heaven as the colours purple and violet. The actual good reveals itself as purple, and the truth springing from it as violet. For when colours appear in the next life, and in heaven itself, they are most beautiful ones; and they all have their origin in goodness and truth. For the sphere of affections for goodness and truth is revealed to the eyes of angels and of spirits also by means of colours, specific things being revealed by means of objects variously coloured, and also to their nostrils by means of odours. For every celestial reality belonging to good or spiritual reality belonging to truth is represented in the lower heavens by means of the kinds of things that appear in the natural order, and by this means is revealed to the actual external senses of spirits and angels in those heavens. The reason why the spheres of affection for goodness and truth are revealed visually by means of colours is that colours are modifications of heavenly light, and so of intelligence and wisdom, see 4530, 4677, 4742, 4922.

[2] This now explains why the materials that were to be gathered together for the tabernacle and Aaron's garments included violet, purple, twice-dyed scarlet, and skins of red rams; for the tabernacle represented the Lord's heaven, the materials which were used to construct and cover it represented the celestial and spiritual realities that belong to goodness and truth, and Aaron's garments had a like representation, 9457. It explains why the veil within which the ark of the Testimony was placed was woven from violet, purple, twice-dyed scarlet, and fine linen thread, Exodus 26:31, as likewise was the covering for the door of the tent, Exodus 26:36, and the covering for the gate of the court as well, Exodus 27:16, and why the loops on the edge of the curtain were made of violet, Exodus 26:4. It also explains why the ephod was made of gold, violet, purple, twice-dyed scarlet, and linen thread woven together, as was the breastplate of judgement, Exodus 28:6, 15.

[3] 'Violet' means the celestial love of truth, and 'garments made of violet' cognitions or knowledge of truth present as a result of that love, in Ezekiel,

Fine linen with embroidered work from Egypt was your sail, that it might be to you an ensign; violet and purple from the islands of Elishah was your covering. They were your traders with choice wares, 1 with balls of violet, and embroidery, and with chests of precious garments. Ezekiel 27:7, 24.

This refers to Tyre, by which cognitions of truth and good are meant, 1201. Knowledge and understanding acquired from these is described by 'embroidered work from Egypt', and by 'violet and purple from the islands of Elishah'. 'Embroidered work from Egypt' is factual knowledge of truth, and 'violet and purple from the islands of Elishah' is an understanding of truth and good.

[4] In the same prophet,

Two women, the daughters of one mother, in their youth committed whoredom in Egypt - Oholah and Oholibah. Oholah committed whoredom under Me and doted on the Assyrians her neighbours - clothed in violet, governors and leaders, horsemen riding on horses. Ezekiel 23:2-6.

'Oholah' stands for Samaria, and 'Oholibah' for Jerusalem, Samaria in this instance being the corrupted spiritual Church. 'Committing whoredom in Egypt' means falsifying truths by means of factual knowledge, 'doting on the Assyrians her neighbours' stands for having a love of reasonings based on those falsifications, and 'clothed in violet' stands for ideas which look like truth springing from good because they are derived from the literal sense of the Word interpreted wrongly.

[5] Something similar occurs in Jeremiah,

Beaten silver is brought from Tarshish, and gold from Uphaz, the work of the smith and of the hands of the molder. Their clothing is violet and purple. These are all the work of the wise. Jeremiah 10:9.

This refers to the idols of the house of Israel, by which false teachings, supported by distortions of the outward sense of the Word, are meant, 9424. 'The work of the smith and of the hands of the molder', and also 'these are all the work of the wise', stand for the fact that they are the product of self-intelligence. 'Silver from Tarshish, and gold from Uphaz' stands for their seeming to outward appearance to be true and good because they are taken from the Word; and much the same is meant by 'violet and purple' of which their clothing consisted.

[6] In John,

I saw horses in the vision, and those seated on them had breastplates of fire and violet and brimstone, by whom a third part of mankind was killed. Revelation 9:17-18.

'Horses' and 'those seated on them' stand for a topsy-turvy and corrupted understanding of truth. 'Breastplates of fire, violet, and brimstone' stands for defence of falsities that arise from the evils of devilish kinds of love. In this instance therefore 'fire' stands for the hellish love of evil, and 'violet' for the hellish love of falsity. They are accordingly used in the contrary sense; for the majority of things in the Word also have a contrary meaning.

Poznámky pod čarou:

1. literally, with perfections

  
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Thanks to the Swedenborg Society for the permission to use this translation.