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Ղուկաս 19:29-44 : Jesus' Triumphal Entry Into Jerusalem (Luke)

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29 Եւ երբ մօտեցաւ Բեթփագէին եւ Բեթանիային, այն լերան մօտ, որ կոչւում է Ձիթենեաց, ուղարկեց իր աշակերտներից երկուսին

30 եւ ասաց. «Գնացէ՛ք այն գիւղը, որ մեր դիմացն է. երբ այնտեղ մտնէք, կը գտնէք կապուած մի աւանակ, որի վրայ ոչ մի մարդ երբեք չի նստել. արձակեցէ՛ք այն եւ բերէ՛ք:

31 Եւ եթէ մէկը ձեզ հարցնի, թէ ինչու էք արձակում, նրան այսպէս ասացէք. «Իր տիրոջը պէտք է»:

32 Երբ գնացին նրանք, որ ուղարկուել էին, գտան այնպէս, ինչպէս ասել էր նրանց. աւանակը կար:

33 Եւ մինչ աւանակն արձակում էին, նրա տէրերը ասացին նրանց. «Աւանակն ինչո՞ւ էք արձակում»:

34 Եւ աշակերտները ասացին. «Իր տիրոջը պէտք է»:

35 Եւ այն բերին Յիսուսի մօտ. զգեստներ գցեցին նրա վրայ եւ Յիսուսին նստեցրին:

36 Եւ մինչ նա առաջանում էր, մարդիկ իրենց զգեստները փռում էին ճանապարհի վրայ:

37 Եւ երբ նա մօտեցաւ Ձիթենեաց լերան զառիվայրին, աշակերտների ամբողջ բազմութիւնը ուրախութեամբ եւ բարձրաձայն սկսեց օրհնել Աստծուն՝ կատարուած բոլոր զօրութիւնների համար, որ տեսան:

38 Եւ ասում էին. «Օրհնեա՜լ է այդ թագաւորը, որ գալիս է Տիրոջ անունով. խաղաղութի՜ւն երկնքում եւ փա՜ռք բարձունքներում»:

39 Իսկ փարիսեցիներից ոմանք ամբոխի միջից ասացին նրան. «Վարդապե՛տ, սաստի՛ր քո աշակերտներին»:

40 Նա պատասխանեց եւ ասաց. «Ասում եմ ձեզ, որ եթէ դրանք լռեն էլ, այդ քարերը կ՚աղաղակեն»:

41 Եւ երբ մօտեցաւ, տեսնելով քաղաքը՝ լաց եղաւ նրա վրայ եւ ասաց.

42 «Գոնէ այս օրերին գիտենայի՜ր դու քո խաղաղութիւնը. բայց այժմ ծածկուեց քո տեսողութիւնից.

43 որովհետեւ օրեր պիտի գան վրադ, երբ թշնամիներդ քո շուրջը պատնէշ պիտի կանգնեն եւ պիտի պաշարեն քեզ, պիտի նեղեն քեզ բոլոր կողմերից

44 ու հիմնայատակ պիտի անեն քեզ եւ սպանեն քո մէջ քո որդիներին. եւ քարը քարի վրայ բնաւ չպիտի թողնեն, քանի որ քո այցելութեան ժամանակը չճանաչեցիր»:

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Weeping at Easter

За Peter M. Buss, Sr.

Before entering Jerusalem for the last time, Jesus wept over its future. This painting by Enrique Simonet, is called "Flevit super Illam", the Latin for "He Wept Over It". It is in the Museum of Malaga.

"And as they drew near, He saw the city and wept over it, saying, 'If you had known, even you, especially in this your day, the things that belong to your peace! But now they are hidden from your eyes.'" (Luke 19:41,42 ).

"'Daughters of Jerusalem, do not weep for Me, but weep for yourselves and for your children.... For if they do these things in the green wood, what will be done in the dry?" ( Luke 23:28,31).

Jesus wept over Jerusalem. The women wept over Him, and He told them to weep for themselves and for their children. Grief at a moment of triumph, grief at a moment of desolation.

There is irony in the Palm Sunday story, for over its rejoicing hangs the shadow of the betrayal, trial and crucifixion. Was the angry crowd that called for His crucifixion the same multitude that hailed Him as King five days earlier? Why did the Lord ride in triumph, knowing the things that would surely come to pass? He did so to announce that He, the Divine truth from the Divine good, would rule all things; to give us a picture which will stand for all time of His majesty. And then the events of Gethsemane and Calvary let us know the nature of that majesty - that indeed His kingdom is not of this world.

Can we picture the scene on Palm Sunday? The multitudes were rejoicing and shouting, and then they saw their King weeping. This was not a brief moment, but a sustained weeping, which caused the writer of the gospel to hear of it. Did their shouting die down as they watched His grief, did they wonder when He pronounced doom upon the city they lived in? "Your enemies will build an embankment around you, surround you and close you in on every side, and level you, and your children with you, to the ground; and they will not leave in you one stone upon another because you did not know the time of your visitation." Then, perhaps, as He rode on, the cheering resumed, and the strange words were forgotten.

There is yet another irony; for the people shouted that peace had come. "Blessed is the King who comes in the name of the Lord! Peace in heaven and glory in the highest!" Yet when Jesus wept, He said to the city, "If you had known, even you, especially in this your day, the things that make for your peace! But now they are hidden from your eyes."

This grand panorama speaks of the world inside each human being. It is in our minds, in the spiritual sense of the Word, that Jesus rides in triumph. When we see the wonder of His truth, sense its power over all things, we crown Him. All the events of Palm Sunday tell of those times when we acknowledge that the Lord, the visible God, rules our minds through the Word which is within us. It is a time of great rejoicing. Like the multitudes of Palm Sunday, we feel that this vision will sweep all that is evil away, and the Lord will easily reign within us as our King and our God.

Such happy times do come to us, and we can rejoice in them, and hail our Lord and King with jubilation. "Peace in heaven, and glory in the highest!" Peace comes through conjunction with the Lord whom we have seen (Apocalypse Explained 369:9, 11). Yet the Lord Himself knows that there are battles to come from those who know no peace. This too He warns us of in His Word. In the natural Jerusalem of the Lord's day the rulers had used falsity to destroy the truth, and they brought much grief upon the Christians. In the spiritual Jerusalem in our minds there are false values which would destroy peace. Before we get to heaven there is going to be a battle between our vision of the Lord and our self love which will abuse the truth to make that happen.

So the Lord wept, out there on the mount of Olives, as He looked down upon the city. His weeping was a sign of mercy, for He grieves over the states in us which will hurt us and which are opposed to our peace. (Arcana Coelestia 5480; Apocalypse Explained 365 [9]; cf. 365:11, 340). Yet His grief is an active force, it is mercy, working to eliminate those states. Jesus promised that Jerusalem would be utterly destroyed - not a single stone left standing. It is true that the natural Jerusalem was razed to the ground, but this is not what He meant. He promises us - even as He warns us of the battles to come - that He will triumph, and that our Jerusalem - our excuses for doing evil - will not stand. They will be decimated by His Word. (Cf. Arcana Coelestia 6588 [5]; Apocalypse Explained 365 [9]).

He wept from mercy, and He promised an end to weeping, for "His tender mercies are over all His works."

On Good Friday there was surely cause for weeping. Picture this scene: The women were following the cross, lamenting. Jesus must have been bleeding from the whipping, and scarred by the crown of thorns. He was surrounded by people who enjoyed seeing someone die. Those who called Him their enemy were satisfied that they had won.

His followers were desolate. Never had they imagined that the dream He had fostered would end this way, or the Leader they loved would be treated so terribly. They felt for Him in what they were sure was His suffering. They wept for Him.

Then perhaps the crowds that insulted Him were stilled as He turned to the mourners. Out of His infinite love He spoke. "'Daughters of Jerusalem, weep not for Me, but weep for yourselves and for your children.'" He did not think of His approaching agony, He grieved for those He loved. He would triumph. It was upon them that suffering would come. What clearer picture can we have of the goal which brought our God to earth than that sentence? He came because evil people and evil feelings bring misery to His children. He came to give them joy after their weeping, to give them consolation and hope, and finally to give them the certainty that there should be no more death, neither sorrow nor crying.

The women of that time did indeed face physical sorrow. It is heartbreaking to learn of the persecutions of the Christians, to think of people killed because they worship their God; of children being taken from them, of good people subject to the mercy of those who know no mercy. Indeed it must have seemed that the Lord was right in saying that it would have been better had they never borne children who would suffer so for their faith. "For indeed the days are coming in which they will say, 'Blessed are the barren, wombs that never bore, and breasts which never nursed!'"

But the real reason the Lord came down to earth was that within physical cruelty there is a far greater hurt. There are plenty of people walking this earth who wouldn't think of murdering someone else, but who regularly enjoy taking away something far more precious - his ability to follow his Lord.

That was why the Lord spoke those words, "Weep not for Me, but weep for yourselves and for your children." The daughters of Jerusalem represent the gentle love of truth with sincere people all over the world. Their children are the charity and faith which comes from the love of truth. These are the casualties of evil, especially when it infests a church. These are the things that cause internal weeping, a sorrow of the spirit that is the more devastating because it is silent.

"Daughters of Jerusalem," He called them. Our innocent love of the truth grows up together with our justification for being selfish. In fact, it is ruled by self justification, as the daughters of Jerusalem were ruled by a corrupt church. When those women tried to break loose from the Jewish Church they were persecuted. When our innocent love of the truth seeks to lead us to follow the Lord we suffer temptations in our spirits. The hells rise up and tempt us with all the selfish and evil delights we have ever had, and we indeed weep for ourselves.

You see, it is not the truth itself that suffers! "Weep not for Me," Jesus said. The truth is all powerful. It is our love for that truth which is tempted. It is our charity and our faith - the children of that love - which suffer.

"For indeed the days are coming in which they will say, 'Blessed are the barren, the wombs that never bore, and the breasts which never nursed.'" Doesn't it seem to us at times that the people who have no truths, who have no ideals, are the ones that are happy? In fact this is a prophecy that those who are outside of the Church and find it afresh will have an easier time than those who bring the falsities of life into the battle.

On Palm Sunday, when Jesus wept, He said that Jerusalem would be destroyed. As I have said, He was actually promising the destruction of evil in us. On Good Friday He gave the same assurance: "Then they will begin 'to say to the mountains, "Fall on us!" and to the hills, "Cover us!"' These apparently harsh words are ones of comfort, for they promise that as the Lord's truth triumphs in us, heaven will draw nearer. When that happens the hells who tempt us will be unable to bear the presence of heaven, and will cover themselves over and hide.

"For if they do these things in the green wood, what will be done in the dry?" The listeners knew what that meant: if when He was among them they rejected His truth, what will they do when the memory of His presence and His miracles have dried up? In the internal sense the green wood is truth that is still alive from a love for it. Even when we see the ideals of the Word, we are going to struggle with temptation. But when that wood dries out, when we can't sense the life and power of truth, the battle becomes very much harder.

In both these images - His weeping on Palm Sunday, His sad warning to the women to weep for themselves and for their children, the Lord is preparing us to fight for what we believe. How does He prepare us? By assuring us, not only of the trials to come, but of the certainty of victory now that He has revealed His might. There is such wonder, such hope for eternal happiness in the true Christian religion. Yet no worthwhile love will ever be ours to keep until it has faced its challenges. There must be a time of weeping: our merciful Lord weeping over our struggles and giving us strength from mercy; our dreams and hopes weeping when we fear they are lost. Through the trial we express our commitment to our dreams, and He delivers us.

Less than twenty four hours before His arrest the Lord spoke again about weeping. At the Last Supper He said, "Most truly I say to you that you will weep and lament, but the world will rejoice." But He did not stop there. "And you will be sorrowful, but your sorrow will be turned into joy. A woman, when she is in labor, has sorrow because her hour has come; but as soon as she has given birth to the child, she no longer remembers the anguish, for joy that a human being has been born into the world. Therefore you now have sorrow; but I will see you again and your heart will rejoice, and your joy no one will take from you."

When He was crucified and rose again, they must have thought that now His words were fulfilled. Now they had found the joy which no one could take from them. Perhaps when they suffered at the hands of persecutors and found joy among fellow-Christians they thought the same. And finally, when they had fought their private battles, and from His power overcome the enemy within, they knew what He really meant.

"Jesus wept over the city." "Weep for yourselves and for your children." Our love of the truth will be threatened and with it our hope for true faith and true charity. It was to that end that He came into the world and rode in triumph and drank of the cup of rejection and apparent death - to be able to turn our sorrow into joy. Therefore He could also say, "In the world you will have tribulation; but be of good cheer, I have overcome the world." Amen.

(Посилання: Luke 19:29-44, 23:24-38)

З творів Сведенборга

 

Apocalypse Explained #323

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323. Having every one harps, signifies confession from spiritual truths. This is evident from the signification of a "harp," as being confession from spiritual truths. This is signified by "harps," because the harp was a stringed instrument, and by such instruments spiritual things, or those that are of truth, are signified, while wind instruments signify celestial things, or those that are of good. Such things are signified by musical instruments because of their sounds, for sound corresponds to the affections; moreover in heaven affections are perceived by sounds; and because there are various affections, and various sounds are produced by musical instruments, therefore these instruments, by correspondence and consequent agreement, signify affections. In general, stringed instruments signify such things as belong to the affections of truth, and wind instruments such as belong to the affections of good; or, what is the same, some instruments belong to the spiritual class, and some to the celestial class. That sounds correspond to the affections has been made evident to me by much experience, so also musical tones; also that angels are affected in accordance with sounds and their variations; but to recite all such experience would occupy too much space. I will mention only, what is a matter of general observation, that discrete sounds excite the affections of truth, that is, those are affected by them who are in the affections of truth; while continuous sounds excite the affections of good, that is, those are affected by them who are in the affections of good. Whether you say the affections of truth or things spiritual, it is the same, or whether you say the affections of good or things celestial, it is the same. (But these things can be better comprehended from what has been related from experience respecting sounds and their correspondence with affections, in the work on Heaven and Hell 241.)

From this it can now be seen why in the Word, and especially in David, so many kinds of musical instruments are mentioned, as psalteries, harps, flutes, cymbals, timbrels, horns, organs, and others, namely, that it is because of their correspondence with the affections, and at the same time with articulations that are expressions containing things, and flowing from them.

[2] That harps especially signify the affections of truth because they excite such affections, consequently that they also signify confession made from spiritual truths with a cheerful heart, can be seen from the following passages. In Isaiah:

The new wine shall mourn, the vine shall languish, all the glad of heart shall sigh. The joy of timbrels shall cease, the noise of the merry shall leave off; the joy of the harp shall cease. They shall not drink wine with a song (Isaiah 24:7-9).

This treats of the vastation of the spiritual church, that is, of the good and truth thereof. Spiritual good, which is about to cease, is signified by "the new wine shall mourn," and "the joy of timbrels shall cease;" and that its truth is about to cease is signified by "the vine shall languish," and "the joy of the harp shall cease;" for "new wine" signifies spiritual good, and its joy is signified by the "timbrel;" and the "vine" signifies spiritual truth, and its joy is signified by the "harp." Since it is the affection of these that is about to cease, it is said, "all the glad of heart shall sigh," and "the noise of the merry shall leave off;" "gladness" and "mirth" in the Word signifying spiritual gladness and mirth, all of which are from the affections of truth and good. It is added, "they shall not drink wine with a song," because "song" signifies the testification of gladness from the affection of truth, and "wine" signifies truth.

[3] In David:

Confess unto Jehovah with the harp; sing psalms unto Him with the psaltery of ten strings. Sing unto Him a new song; play well with a loud noise. For the word of Jehovah is right; and His work is done in truth (Psalms 33:2-4).

As a "harp" signifies confession from spiritual truths, it is said, "confess unto Jehovah with the harp;" "a psaltery of ten strings" signifies the corresponding spiritual good; therefore it is said, "sing psalms unto Him upon a psaltery of ten strings;" and for the same reason also it is said, "for the word of Jehovah is right, and all His work is done in truth;" "the word of Jehovah is right" signifying the truth of good; "His work is done in truth" signifying the good of truth; the truth of good is the truth that proceeds from good, and the good of truth is the good which is produced by truth.

[4] In the same:

Send Thy light and Thy truth, let them lead me; let them bring me unto the mountain of holiness, and to Thy tabernacles, that I may confess unto Thee upon the harp, O God, my God (Psalms 43:3-4);

the "harp" evidently signifying confession from spiritual truths, for it is said "I will confess unto Thee with the harp, O God, my God;" and it is also said before, "send Thy light and Thy truth; let them lead me."

[5] In the same:

I will confess unto Thee with the instrument of psaltery, even Thy truth, O my God; unto Thee will I sing with the harp, O Holy One of Israel (Psalms 71:22).

As the "psaltery" signifies spiritual good, that is, the good of truth, and the "harp" spiritual truth, that is, the truth of good, and confession is made from each, it is said, "I will confess unto Thee with the instrument of psaltery; unto Thee will I sing with the harp."

[6] In the same:

I will sing, and I will sing psalms. Arouse me, 1 my glory, arouse me, psaltery and harp. I will confess unto Thee, O Lord, among the nations, I will sing psalms unto Thee among the peoples (Psalms 57:7-9; 108:1-3).

Confession and glorification from the good of truth or from spiritual good, and from truth of good or from spiritual truth, are expressed in these several things, the good of truth by "singing," "being aroused by the psaltery," and "confessing among the nations;" and the truth of good by "singing psalms," "being aroused by the harp," and "singing psalms among the peoples;" for "nations" in the Word mean those who are in good, and "peoples" those who are in truth; here those in spiritual truth. It is so said because where good is spoken of, in the Word, truth also is spoken of, and this because of the marriage of these in every particular of the Word (See above, n. 238 end, 288).

[7] In the same:

Answer unto Jehovah by confession; sing psalms with the harp unto our God (Psalms 147:7).

Here also confession from spiritual good and from spiritual truth is expressed by "answer unto Jehovah by confession," and "sing psalms with the harp unto our God;" from spiritual good by "answer unto Jehovah;" and from spiritual truth by "sing psalms with the harp unto God;" "Jehovah" being used where good is treated of, and "God" where truth is treated of (See Arcana Coelestia n. 709, 732, 2586, 2769, 2807, 2822, 3921, 4287, 4402, 7010, 9167).

[8] In Ezekiel:

I will cause the noise of the songs to cease; and the voice of thy harps shall be no more heard; I will give thee to the parchedness of the cliff (Ezekiel 26:13-14).

This is said of Tyre, which signifies the church in respect to the knowledges of good and truth. Its vastation is described by these words; the vastation in respect to the knowledges of good by "I will cause the noise of thy songs to cease;" and the vastation in respect to the knowledges of truth by "the voice of harps shall be no more heard;" desolation of all truth by "I will give thee to the parchedness of the cliff;" "cliff" signifying truth, and its "parchedness" desolation.

[9] In David:

Make a loud noise unto Jehovah, all the earth; break forth, shout for joy, and sing psalms. Sing psalms unto Jehovah with the harp; with the harp, and the voice of a psalm. With trumpets and the sound of a cornet, make a loud noise before the King, Jehovah (Psalms 98:4-6).

The various kinds of affections from which the Lord is confessed and glorified are here expressed by various kinds of sounds and instruments; the various kinds of sounds in "making a loud noise," "breaking forth," "shouting for joy," and "singing psalms," and the various kinds of instruments, by "harps," "trumpets," and "cornets;" but to explain the signification of the particulars is not in place here, but only what relates to the harp. "To sing unto Jehovah with the harp, with the harp and the voice of a psalm," signifies confession from the affection of spiritual good and truth; for every affection, since it is from love, when it falls into sound, produces a sound in accord with itself; consequently from the sound that is in the speech, and in which, as it were, the expressions of speech flow, the affection of the other is heard, and thus becomes known to his companion; this is manifestly so in the spiritual world, where all sounds of speech make manifest the affections.

[10] So elsewhere in David, as the following:

Shout for joy unto God our strength; make a joyful noise to the God of Jacob. Lift up the psalm and strike the timbrel, the pleasant harp, with the psaltery. Blow the cornet at the new moon (Psalms 81:1-3).

It is good to confess unto Jehovah, and to sing psalms unto Thy name, O Most High; with an instrument of ten strings, and with the psaltery; and with resounding music on the harp (Psalms 92:1-3).

Let the sons of Zion exult in their King; let them praise His name in the dance; let them sing psalms unto Him with the timbrel and harp (Psalms 149:2-3).

Praise God with the sound of the cornet; praise Him with the psaltery and harp; praise Him with the timbrel and dance; praise Him with stringed instruments and organ. Praise Him with cymbals of soft sound; praise Him with cymbals of loud sound (Psalms 150:3-5).

[11] Because musical instruments and also dances signify varieties of joy and gladness that spring from the affections, as well as the affections themselves of the mind which their sounds excite, both singly and in combination, therefore:

David and the whole house of Israel played before Jehovah upon wooden instruments of every kind, and upon harps, and with psalteries, and with timbrels; and on sistra, and on cymbals (2 Samuel 6:5).

[12] Because the "harp" signifies confession from spiritual truths, and spiritual truths are those by which angels who are in the Lord's spiritual kingdom are affected, and which disperse the falsities of evil, and with these the spirits themselves who are in them, so:

When the evil spirit was upon Saul, David took a harp and played with his hand; and so rest was given to Saul, and the evil spirit departed from him (1 Samuel 16:23).

This was done because kings represented the Lord in respect to the spiritual kingdom, and therefore signified spiritual truths (See above, n. 31); but Saul then represented the falsities that are opposed to these truths; and these were dispersed by the sound of the harp, because the "harp" signified the spiritual affection of truth. This then took place because with the sons of Israel all things were representative and thus significative; it is otherwise at this day. From the passages here quoted it can be seen what the "harp" signifies, also in other places (as Isaiah 30:31, 32; Psalms 49:3, 4; 137:1, 2; 1 Samuel 10:5; Revelation 14:2; 18:22; Job 30:31).

[13] As most things in the Word have also a contrary meaning, so do musical instruments, in which sense they signify varieties of gladness and joy that spring from the affections of falsity and evil; thus the "harp" signifies the confession of falsity and the consequent exultation over the destruction of truth. As in Isaiah:

At the end of seventy years the song of Tyre shall be even as the song of a harlot; take a harp, walk in the city, thou harlot delivered over to forgetfulness; play elegantly, multiply the song (Isaiah 23:15-16).

"Tyre" signifies the church in respect to the knowledges of spiritual truth and good (as was said above), here the church in which these are falsified; "harlot" signifies the falsification of truth (See above, n. 141); and "to take a harp, walk in the city," "play elegantly, and multiply the song," signifies the exultation and boasting of falsity over the destruction of truth.

[14] In the same:

Woe to them that rise early in the morning that they may follow strong drink; to them that tarry until twilight till the wine inflame them. And the harp and the psaltery and the timbrel and the pipe and wine are at their feasts; but they do not look upon the work of Jehovah, and they see not the working of His hands (Isaiah 5:11-12).

Here "harp," "psaltery," "timbrel," "pipe," and also "wine," have the contrary meaning, in which they signify exultation and boastings from the falsities of evil. Such is evidently the meaning, for it is said, "Woe to them; they do not look upon the work of Jehovah, and they see not the working of His hands."

Примітки:

1. Photoliograph has "me," so also AR 276, but AE 326 has "te," "thee."

  
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Thanks to the Swedenborg Foundation for their permission to use this translation.