From Swedenborg's Works

 

The White Horse #1

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1. CONCERNING THE WHITE HORSE as described in the Book of Revelation, Chapter 19.

In the writings of John, in the Book of Revelation, the following is a description of the Word in its spiritual sense, in other words the sense contained within it, or its 'inner meaning:'

I saw heaven standing open, and behold, a White Horse. And the one sitting on the White Horse was called faithful and true, judging and fighting in righteousness. His eyes were a flame of fire, and on His head were many jewels. He had a name inscribed that no one knew but He Himself. And He was dressed in a garment dyed with blood, and His name is called the Word of God. The armies that followed Him in heaven were on white horses, they themselves dressed in clean white linen. On His garment and on His thigh was written a name, King of Kings and Lord of Lords. Revelation 19:11-14, 16.

No one can have a clear idea of what each of the details in this description entails except by way of its 'inner meaning." It is obvious that each particular detail must represent or signify something, as follows:

Heaven which was standing open; a horse which was white; the one seated on it was called faithful and true, 1 judging and fighting in righteousness; His eyes a flame of fire; and many jewels 2 on His head; having a name inscribed that no one knew but He Himself; and dressed in a garment dyed with blood; and the armies that followed Him in heaven were on white horses, they themselves dressed in clean white linen; 3 on His garment and on His thigh He has written a name.

It is stated plainly that the one seated on the White Horse is the Word, and He is the Lord who is the Word, for what is said is that His name is called The Word of God; and then, He has written on His garment and on His thigh the title King of Kings and Lord of Lords.

From the interpretation of each individual phrase or statement it is clear that all this serves to describe the spiritual sense or internal meaning of the Word. The phrase heaven which was standing open' represents and signifies that the inner meaning of the Word is seen by those in heaven, and consequently also by those on earth for whom heaven stands open. 'A horse which was white' represents and signifies an understanding of the Word as regards its inner meanings. 4 That the 'white horse' means what I have said will be clear from what follows.

It is clear that 'the one seated on it' means the Lord in His capacity as the Word, and thus means the Word itself, for it is stated that 'His name is called the Word of God;' and he is called 'faithful' and 'judging in righteousness' because of His goodness; and 'true' and 'fighting in righteousness' because of His truth, for the Lord Himself is righteousness. 'His eyes a flame of fire' signify divine truth radiating from the divine good flowing from His divine love. The 'many jewels on His head' signify all the good and true properties of faith. Having a 'name written which no one knew other than He Himself' signifies that no one sees what is the nature of the Word in its inner meaning except Himself, and one to whom He reveals it.

Dressed in a garment dyed with blood' signifies the violence done to the Word in its literal meaning. 5 'The armies in heaven which followed Him on white horses' signifies those who understand the Word as regards its inner meanings.' 'Those dressed in clean white linen' signifies the same people who are endued with truth arising from what is good. 'On His garment and on His thigh a name written 6 ' signifies what is true and what is good and their specific qualities.

From all these verses, and from those which come before and after them, it is clear that they serve to foretell that the spiritual or internal sense of the Word will be laid open at around the final time of the Church; and what will happen at that time is also described there, Revelation 19:17-21. There is no need to show here the things which are signified by these words since they are individually shown in Arcana Caelestia. The Lord is the Word because He is the divine truth: 2533, 2803, 2894, 5272, 8535; 7 the Word is the divine truth: 4692, 5075, 9987; He is proclaimed to be sitting on a horse judging and fighting in righteousness because the Lord is righteousness. The Lord is proclaimed to be righteousness from the fact that by His own power He has saved the human race: 1813, 2025-2027, 9715, 9809, 10019, 10152. Righteousness is a merit belonging to the Lord alone: 9715, 9979. 'His eyes a flame of fire' signify divine truth radiating from the divine good flowing from His divine love, because 'eyes' signify the understanding and truth of faith: 2701, 4403-4421, 4523-4534, 6923, 9051, 10569; and 'a flame of fire' signifies the good of love: 934, 4906, 5215, 6314, 6832; the 'jewels on His head' 8 signify all the good and true properties of faith: 114, 3858, 6335, 6640, 9863, 9865, 9868, 9873, 9905.

Having a name written which no one knew other than He Himself' signifies that no one sees what is the nature of the Word in its inner meaning except Himself, and one to whom He reveals it, because a name signifies the nature of a thing: 144-145, 1754, 1896, 2009, 2724, 3006, 3237, 3421, 6674, 9310. 'Dressed in a garment dyed with blood' signifies the violence done to the Word in its literal meaning because a garment' signifies truth, which clothes what is good: 1073, 2576, 5248, 5319, 5954, 9212, 9216, 9952, 10536; especially truth in its outermost form, and thus the Word in its literal meaning: 5248, 6918, 9158, 9212; and because 'blood' signifies violence done to truth by what is false: 374, 1005, 4735, 5476, 9127. 'The armies in heaven which followed Him on white horses' signify those who understand the Word as regards its inner meanings because 'armies' signify those who are equipped with the truth and goodness of heaven and the Church: 3448, 7236, 7988, 8019; and the horse' signifies understanding: 3217, 5321, 6125, 6400, 6534, 7024, 8146, 8381; and 'white' means the truth which the light of heaven has within itself thus, the inner truth: 3301, 3993, 4007, 5319.

Those dressed in clean white linen' signify the same people who are endued with truth arising from what is good because 'linen' or 'a garment of linen' signifies truth from a heavenly sourcewhich is truth from what is good: 5319, 9469. 'On His garment and on His thigh a name written' signifies what is true and what is good, and their specific qualities, because 'a garment' signifies truth, and 'a name' signifies its nature, as above, and 'thigh' signifies the good properties of love: 3021, 4277, 4280, 9961, 10488. 'King of Kings and Lord of Lords' is the Lord as regards divine truth and divine good; the Lord is called King by virtue of His divine truth: 3009, 5068, 6148, and He is called Lord by virtue of His divine good: 4973, 9167, 9194.

From all this it is clear what the nature of the Word is in its spiritual or inner sense, and that there is no single word within it which does not have some spiritual meaning relating to heaven and the Church.

Footnotes:

1. The Revd John Elliott: "The [original Latin] text ought surely to read, as Arcana Coelestia 2760; 'quod fidelis et verus, et in justitia ...'" The translator has followed this conjecture.

2. In translating diademata as 'jewels,' rather than 'crowns,' I have noted the Revd John Elliott, who draws attention to John Chadwick's assertion (from his Lexicon to the Latin Texts of Swedenborg's Theological Writings), that there can be little doubt that Swedenborg understood jewel, not crown, by the Latin word diadema.

3. The Latin byssinus means 'a garment made form byssus' (Lewis and Shorts Latin Dictionary). Byssus: cotton (Baxter and Johnsons Medieval Latin Word-List); cotton, or (according to some) a kind of flax, and the linen made from it (Lewis and Shorts Latin Dictionary).

4. The Latin interiora (plural of interius, and comp. of intern um) means 'inward' or 'internal' (Lewis and Shorts Latin Dictionary). It may also signify: 'more hidden,' 'secret' or 'unknown' (Lewis and Shorts Latin Dictionary).

5. I am grateful to the Rev'd. John Elliott for the suggestion of translating litera as 'in its literal meaning." I was in a fog as to Swedenborg's intention in using litera, which classically may mean either 'a letter' or 'writing."

6. The Latin interiora (plural of interius, and comp. of intern um) means 'inward' or 'internal' (Lewis and Shorts Latin Dictionary). It may also signify: 'more hidden,' 'secret' or 'unknown' (Lewis and Shorts Latin Dictionary).

7. Throughout this translation I have used the reference numbers following the emendations made by the Revd John Elliott in De Equo Albo (2004).

8. In translating diademata as 'jewels,' rather than 'crowns,' I have noted the Rev'd. John Elliott, who draws attention to John Chadwick's assertion (from his Lexicon to the Latin Texts of Swedenborg's Theological Writings), that there can be little doubt that Swedenborg understood jewel not crown by the Latin word diadema.

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Thanks to the Swedenborg Society for the permission to use this translation.

From Swedenborg's Works

 

Arcana Coelestia #9865

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9865. 'A ruby, a topaz, a carbuncle' means the celestial love of good. This is clear from the meaning of these stones as the good of celestial love, celestial love being love to the Lord, received from the Lord. Those stones mean that love on account of their red and flaming colour; for 'red' means love, 3300, and so does 'flaming', 3222, 6832, 7620-7622, 9570. But here celestial love is meant because those stones are in the first row; and those in the first row correspond to the realities that exist in the inmost heaven, where celestial love, which is love to the Lord, reigns. Since the twelve stones in the breastplate represented all the truths that spring from good they also represented the whole of heaven; for heaven is heaven by virtue of the Divine Truth emanating from the Lord's Divine Good, the angels there who constitute heaven being recipients of that Truth. So it is that the three stones which are in the first row represent the inmost heaven, consequently the love that reigns there, which is called the celestial love of good and celestial love of truth. The stones in the first row represent the celestial love of good, those in the second row the celestial love of truth. These stones represent that love, as has been stated, on account of their colour; for what precious stones represent is determined by their colours.

[2] In heaven colours of indescribable beauty appear; for they are modifications of heavenly light, and heavenly light is Divine Truth emanating from the Lord. From this it is evident that colours present themselves there in accord with variations of goodness and truth; thus they are modifications of the light emanating from the Lord, through the angels. The light emanating from the Lord appears in the inmost heaven as a flame; therefore the colours resulting from it are red and flashing. But the same light appears in the middle heaven as a brilliantly white light; therefore the colours resulting from it are brilliant, and to the extent that they have good within them they are gleaming. This explains why there are two basic colours to which all others are related, namely the colour red and the colour white; and the colour red is representative of good, while the colour white is representative of truth, see 9467.

[3] From all this it is now clear why it was that stones of so many colours were set in rows in the breastplate, namely in order that they might represent all the forms of good and the truths that exist in heaven in their proper order, and consequently represent the whole of heaven. The reason why the stones in the first row - a ruby, a topaz, and a carbuncle - represented the celestial love of good is that they are different hues of red. Furthermore the noun used in the original language for 'a ruby', the first in the row, is derived from a word that means 'redness'; and that for 'a carbuncle', the third in the row, is derived from a word meaning 'flashing', as if from fire. But as for the derivation of 'a topaz', the middle one in the row, this is unknown, though it very probably comes from something describing a red and flaming colour. This may be why in Job something similar is said of a topaz as is said of gold,

With wisdom the topaz of Ethiopia will not compete, it cannot be valued in pure gold. Job 28:19.

'Gold' too means the good of love, 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510.

  
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Thanks to the Swedenborg Society for the permission to use this translation.