2. Before treating of the New Jerusalem and its doctrine, something shall be said of the New Heaven and the New Earth. In the small work on The Last Judgment and the Destruction of Babylon it was shown what is meant by the "first heaven and the first earth" which had passed away. After they had passed away, and thus after the Last Judgment had been accomplished, the new heaven was created, that is, formed by the Lord. This heaven was formed of all those who after the Lord's advent even to the present time, had lived a life of faith and charity; since they alone were forms of heaven. For the form of heaven, according to which all consociations and communications are there effected, is the form of Divine Truth from the Divine Good which proceeds from the Lord; and this form a man puts on as to his spirit by a life according to Divine Truth.

That the form of heaven is from this source, may be seen in the work Heaven and Hell 200-212; and that all angels are forms of heaven, in Heaven and Hell 51-58, 73-77. From this it may be known, of whom the new heaven was composed, and hence also what its quality is; namely, that it is altogether of one mind; for he, who lives a life of faith and charity, loves another as himself, and through love conjoins him to himself, and thus reciprocally and mutually, because love in the spiritual world is conjunction. When, therefore, all act alike, then from many, yea, from countless numbers consociated according to the form of heaven, there arises one mind, and there results, as it were, a one; for there is nothing which separates and divides, but everything conjoins and unites.

4446. Verses 8-12 And Hamor spoke to them, saying, Shechem my son, his soul longs for your daughter; give her, I beg you, to him for a wife. And intermarry with us; give your daughters to us, and take our daughters to yourselves. And you shall dwell with us, and the land shall be before you; dwell, and carry on trade throughout it, and have possessions in it. And Shechem said to her father and to her brothers, Let me find grace in your eyes, and I will give that which you tell me. Increase the dowry and gift to any size, ¹ and I will give whatever you tell me, and give me the young woman for a wife.

'Hamor spoke to them, saying' means the good of the Church among the Ancients. 'Shechem my son' means the truth derived from that good. 'His soul longs for your daughter; give her, I beg you, to him for a wife' means a longing to be joined to this new Church which in outward appearance was similar to the Ancient Church. 'And intermarry with us; give your daughters to us, and take our daughters to yourselves' means the union of goods and truths. 'And you shall dwell with us' means life. 'And the land shall be before you; dwell' means the Church which would be one. 'Carry on trade throughout it, and have possessions in it' means matters of doctrine which, because they are communicated, would accord with one another. 'And Shechem said to her father and to her brothers' means counsel taken by the truth from the ancient Divine stock with the good and truth of this semblance of religion. 'Let me find grace in your eyes, and I will give that which you tell me' means that if they on their part were similar in mind to him on his part. 'Increase the dowry and gift to any size, and I will give whatever you tell me' means that he will accept the things which exist with them and will make those things his own. 'And give me the young woman for a wife' means provided the joining together takes place.

Footnotes:

9865. 'A ruby, a topaz, a carbuncle' means the celestial love of good. This is clear from the meaning of these stones as the good of celestial love, celestial love being love to the Lord, received from the Lord. Those stones mean that love on account of their red and flaming colour; for 'red' means love, 3300, and so does 'flaming', 3222, 6832, 7620-7622, 9570. But here celestial love is meant because those stones are in the first row; and those in the first row correspond to the realities that exist in the inmost heaven, where celestial love, which is love to the Lord, reigns. Since the twelve stones in the breastplate represented all the truths that spring from good they also represented the whole of heaven; for heaven is heaven by virtue of the Divine Truth emanating from the Lord's Divine Good, the angels there who constitute heaven being recipients of that Truth. So it is that the three stones which are in the first row represent the inmost heaven, consequently the love that reigns there, which is called the celestial love of good and celestial love of truth. The stones in the first row represent the celestial love of good, those in the second row the celestial love of truth. These stones represent that love, as has been stated, on account of their colour; for what precious stones represent is determined by their colours.

[2] In heaven colours of indescribable beauty appear; for they are modifications of heavenly light, and heavenly light is Divine Truth emanating from the Lord. From this it is evident that colours present themselves there in accord with variations of goodness and truth; thus they are modifications of the light emanating from the Lord, through the angels. The light emanating from the Lord appears in the inmost heaven as a flame; therefore the colours resulting from it are red and flashing. But the same light appears in the middle heaven as a brilliantly white light; therefore the colours resulting from it are brilliant, and to the extent that they have good within them they are gleaming. This explains why there are two basic colours to which all others are related, namely the colour red and the colour white; and the colour red is representative of good, while the colour white is representative of truth, see 9467.

[3] From all this it is now clear why it was that stones of so many colours were set in rows in the breastplate, namely in order that they might represent all the forms of good and the truths that exist in heaven in their proper order, and consequently represent the whole of heaven. The reason why the stones in the first row - a ruby, a topaz, and a carbuncle - represented the celestial love of good is that they are different hues of red. Furthermore the noun used in the original language for 'a ruby', the first in the row, is derived from a word that means 'redness'; and that for 'a carbuncle', the third in the row, is derived from a word meaning 'flashing', as if from fire. But as for the derivation of 'a topaz', the middle one in the row, this is unknown, though it very probably comes from something describing a red and flaming colour. This may be why in Job something similar is said of a topaz as is said of gold,

With wisdom the topaz of Ethiopia will not compete, it cannot be valued in pure gold. Job 28:19.

'Gold' too means the good of love, 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510.