9865. 'A ruby, a topaz, a carbuncle' means the celestial love of good. This is clear from the meaning of these stones as the good of celestial love, celestial love being love to the Lord, received from the Lord. Those stones mean that love on account of their red and flaming colour; for 'red' means love, 3300, and so does 'flaming', 3222, 6832, 7620-7622, 9570. But here celestial love is meant because those stones are in the first row; and those in the first row correspond to the realities that exist in the inmost heaven, where celestial love, which is love to the Lord, reigns. Since the twelve stones in the breastplate represented all the truths that spring from good they also represented the whole of heaven; for heaven is heaven by virtue of the Divine Truth emanating from the Lord's Divine Good, the angels there who constitute heaven being recipients of that Truth. So it is that the three stones which are in the first row represent the inmost heaven, consequently the love that reigns there, which is called the celestial love of good and celestial love of truth. The stones in the first row represent the celestial love of good, those in the second row the celestial love of truth. These stones represent that love, as has been stated, on account of their colour; for what precious stones represent is determined by their colours.

[2] In heaven colours of indescribable beauty appear; for they are modifications of heavenly light, and heavenly light is Divine Truth emanating from the Lord. From this it is evident that colours present themselves there in accord with variations of goodness and truth; thus they are modifications of the light emanating from the Lord, through the angels. The light emanating from the Lord appears in the inmost heaven as a flame; therefore the colours resulting from it are red and flashing. But the same light appears in the middle heaven as a brilliantly white light; therefore the colours resulting from it are brilliant, and to the extent that they have good within them they are gleaming. This explains why there are two basic colours to which all others are related, namely the colour red and the colour white; and the colour red is representative of good, while the colour white is representative of truth, see 9467.

[3] From all this it is now clear why it was that stones of so many colours were set in rows in the breastplate, namely in order that they might represent all the forms of good and the truths that exist in heaven in their proper order, and consequently represent the whole of heaven. The reason why the stones in the first row - a ruby, a topaz, and a carbuncle - represented the celestial love of good is that they are different hues of red. Furthermore the noun used in the original language for 'a ruby', the first in the row, is derived from a word that means 'redness'; and that for 'a carbuncle', the third in the row, is derived from a word meaning 'flashing', as if from fire. But as for the derivation of 'a topaz', the middle one in the row, this is unknown, though it very probably comes from something describing a red and flaming colour. This may be why in Job something similar is said of a topaz as is said of gold,

With wisdom the topaz of Ethiopia will not compete, it cannot be valued in pure gold. Job 28:19.

'Gold' too means the good of love, 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510.

6335. 'And Jacob called his sons' means organizing the truths of faith and the forms of the good of love in the natural. This is clear from the meaning of 'calling' as arranging into order, for the reason why they were called together was so that the truths of faith and the forms of the good of charity might be set forth in that organized arrangement; and from the representation of 'Jacob' and 'his sons' as the truths of faith and the forms of the good of love in the natural, 'Jacob' being those truths and forms of good in general, see 3509, 3525, 3546, 3659, 3669, 3677, 3775, 3829, 4234, 4273, 4777, 5506, 5533, 5535, 6001, 6236, and 'his sons', or the tribes named after them, those truths and forms of good in particular, 3858, 3926, 3939, 4060. With regard to this organization of the truths of faith and the forms of the good of love that is meant here and is set forth in the internal sense of this chapter, it should be recognized that the twelve tribes of Israel represented in general all truths and forms of good in their entirety, thus all the truths and forms of good which come forth from the Lord, therefore those which exist in heaven and from which heaven exists. And since all in general are represented, so is each one specifically; for classes in general include all members specifically, just as general wholes do their individual parts.

[2] Forms of good and the truths deriving from them are what determine the varying intensity of light in heaven; and that varying intensity of light is what determines the varying states of intelligence and wisdom. This was how it came about that light glittered and flashed through the Urim and Thummim, doing so in varying ways in keeping with the state of the matter about which questions were being asked. This took place because the twelve tribes, by whom all truths and forms of good in general were meant, were designated in the breastplate or Urim and Thummim; for each precious stone stood for one particular tribe. The reason why they were precious stones was that spiritual and celestial truths are meant by them, 114, 3720, and good is meant by the 'gold' into which they had been set, ¹ 113, 1551, 1552, 5658. This arcanum is what was meant by the Urim and Thummim.

[3] The fact that the twelve tribes meant such things is evident from places in the Word where they are mentioned by name, in particular from the inheritances of the tribes in the land of Canaan, which are dealt with in Joshua, and from their inheritances in the Lord's kingdom, which are dealt with in Ezekiel - in the final chapters, in which a new land, a new Jerusalem, and a new temple are described - and also in Revelation 7:4-8. That the twelve tribes meant such things is also evident from the order in which they were arranged when they pitched camp in the wilderness, an order which was such that it represented truths and forms of good in their right and proper order. This was the origin of the prophetic utterance made by Balaam,

When Balaam lifted up his eyes and saw Israel dwelling according to their tribes, the Spirit of God came upon him and he delivered an utterance, and said, How good are your tabernacles, O Jacob; your dwelling-places, O Israel! Like valleys they are planted, like gardens beside a river, like aloes Jehovah has planted, like cedars beside the waters. Numbers 24:2-3, 5-6.

See also what has been shown regarding the tribes and organized arrangements of them in 2129, 3858, 3862, 3926, 3979, 4060, 4603.

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